WordMan
10-31-2005, 09:04 AM
Saw Sheryl and her band, featuring a string section, at Avery Fisher Hall at Lincoln Center last night.
She was in fine voice - just wow. The overall sound, though was, frankly bad. The strings were barely audible except for the 2 - 3 quietest songs, the drums were flabby boom/thud - there was no blend with the strings, and the bass was really low in the mix, regardless of which person was playing bass - Tim Smith, her keyboardist who would sometimes play bass, or Sheryl herself. Really disappointing, given the obviously musicianship and talent up on stage - we were back by the soundboard, so it's not like we were getting a weird location mix. The show was being recorded for some purpose, so I suspect it will sound VERY different in the video mix.
Anyway, the one thing - besides Sheryl's voice - that did stand out was Peter Stroud's guitars. Just wow again - regardless of Strat, Les Paul, Jaguar, Zemaitis (?) or whatever, the 3 65 amps I saw in the backline sounded amazing. The slide tone was liquid round creamy and full. The crunch LP tones were tight and classic - a tad compressed to my ear, but I suspect that was a personal choice, not an amp limitation.
The amps came away impressing the hell out of me.
Just FYI...
She was in fine voice - just wow. The overall sound, though was, frankly bad. The strings were barely audible except for the 2 - 3 quietest songs, the drums were flabby boom/thud - there was no blend with the strings, and the bass was really low in the mix, regardless of which person was playing bass - Tim Smith, her keyboardist who would sometimes play bass, or Sheryl herself. Really disappointing, given the obviously musicianship and talent up on stage - we were back by the soundboard, so it's not like we were getting a weird location mix. The show was being recorded for some purpose, so I suspect it will sound VERY different in the video mix.
Anyway, the one thing - besides Sheryl's voice - that did stand out was Peter Stroud's guitars. Just wow again - regardless of Strat, Les Paul, Jaguar, Zemaitis (?) or whatever, the 3 65 amps I saw in the backline sounded amazing. The slide tone was liquid round creamy and full. The crunch LP tones were tight and classic - a tad compressed to my ear, but I suspect that was a personal choice, not an amp limitation.
The amps came away impressing the hell out of me.
Just FYI...