drfrankencopter
06-01-2007, 01:38 PM
I'm thinking of building a pedal for the bassist in my band, and before I start on it I want to know if there's already something like this on the market.
What I'm thinking of is an active crossover (probably 2nd order) where the low frequency path is sent to an overdrive that is similar to the voodoo labs Sparkle Drive (i.e. a TS9 style overdrive with a clean knob where the dirt can be added in parallel to the signal). My thinking is that adding drive on a straight bass signal adds lots of hiss, and can get harsh or small sounding. By adding distortion only to the lo-frequencies it's like adding harmonics to mostly the fundamentals (as opposed to adding harmonics to the harmonics, like a full range drive would). I think this would help the bass seem louder/fuller without actually being significantly higher in level.
The whole intent here is to address an issue that my bassist has with regards to hearing his instrument when we jam...it seems he's got to crank up too high to be heard.
Using an active crossover also would allow for multiband compression (i.e. slow compressor on the low frequencies for level control, and a limiter on the high frequencies for handling click/pop transients).
Does this already exist? Is it a reasonable idea?
Cheers
Kris
What I'm thinking of is an active crossover (probably 2nd order) where the low frequency path is sent to an overdrive that is similar to the voodoo labs Sparkle Drive (i.e. a TS9 style overdrive with a clean knob where the dirt can be added in parallel to the signal). My thinking is that adding drive on a straight bass signal adds lots of hiss, and can get harsh or small sounding. By adding distortion only to the lo-frequencies it's like adding harmonics to mostly the fundamentals (as opposed to adding harmonics to the harmonics, like a full range drive would). I think this would help the bass seem louder/fuller without actually being significantly higher in level.
The whole intent here is to address an issue that my bassist has with regards to hearing his instrument when we jam...it seems he's got to crank up too high to be heard.
Using an active crossover also would allow for multiband compression (i.e. slow compressor on the low frequencies for level control, and a limiter on the high frequencies for handling click/pop transients).
Does this already exist? Is it a reasonable idea?
Cheers
Kris