jaywalker
10-27-2008, 11:49 AM
Got this years grammy gig here in central Europe!!!!!! :dudeGreat! killer gig, lots of money...but........
For my last TV stint I needed a huge board and about 20 guitars - this years grammy ceremony will feature almost every style of music imaginable - nu-rock, pop, classical, country, metal, folk, hip hop etc etc....
After changing pedalboards around on a daily basis to suit unplugged, blues, old school rock, metal, country, Irish, I really don't know if it isn't worth jacking it all in and using a bloody line 6 or sumting.....
I reckon I must be getting old.:hide.
I always seem to get the mammoth sessions and always want to impress by having the largest amount of period correct equipment, but man - is it really worth it????
I think it is, but at this years show, we not only have to play backing for the nominees and artists, but we have to do all the jingles and TV show themes when the guest presenters take to the stage, the director insists on having everything live and authentic).
Here's the setup for a 2 month session for live TV from march this year:
http://i223.photobucket.com/albums/dd173/jtdale/Picture164.jpg
http://i223.photobucket.com/albums/dd173/jtdale/100_0533.jpg
I need to add something like this for acoustics and midi:
http://i223.photobucket.com/albums/dd173/jtdale/100_1888.jpg
Plus a shitload of mandolins, 12s and oddly tuned acoustics, not to mention 3 types of backline and 7 strings etc.
Do any of you guys ever handle similar stuff, and if so - where do you draw the line???? (psycologicaly and physicaly)
Would really love some feedback, got no damn contact with guitarists on the upper end of the food chain over here so TGP is always the first port of call.
For my last TV stint I needed a huge board and about 20 guitars - this years grammy ceremony will feature almost every style of music imaginable - nu-rock, pop, classical, country, metal, folk, hip hop etc etc....
After changing pedalboards around on a daily basis to suit unplugged, blues, old school rock, metal, country, Irish, I really don't know if it isn't worth jacking it all in and using a bloody line 6 or sumting.....
I reckon I must be getting old.:hide.
I always seem to get the mammoth sessions and always want to impress by having the largest amount of period correct equipment, but man - is it really worth it????
I think it is, but at this years show, we not only have to play backing for the nominees and artists, but we have to do all the jingles and TV show themes when the guest presenters take to the stage, the director insists on having everything live and authentic).
Here's the setup for a 2 month session for live TV from march this year:
http://i223.photobucket.com/albums/dd173/jtdale/Picture164.jpg
http://i223.photobucket.com/albums/dd173/jtdale/100_0533.jpg
I need to add something like this for acoustics and midi:
http://i223.photobucket.com/albums/dd173/jtdale/100_1888.jpg
Plus a shitload of mandolins, 12s and oddly tuned acoustics, not to mention 3 types of backline and 7 strings etc.
Do any of you guys ever handle similar stuff, and if so - where do you draw the line???? (psycologicaly and physicaly)
Would really love some feedback, got no damn contact with guitarists on the upper end of the food chain over here so TGP is always the first port of call.