Hello all. Day 1 at NAMM 2013 has been a success, and wanted to report my findings and thoughts here. Looks like I'll have to chop it up into separate posts to get all the photos in. Let us begin. (A link to DAY 2 of NAMM 2013 can be found here -- scroll down a bit) First, I headed over to Mojo Hand Effects. Tried out basically their whole line, and my favorite box was the Iron Bell. Sort of a fuzzy distortion, Brad explained it as a Gilmourish fuzz that is meant to stack well with overdrives. I was also really impressed with the Rook Royale -- the normal Rook side being an awesome drive with a few clipping options, but then you add in the EP-type boost with a treble control. The Xotic EP was always too woofy for me, so this is a nice "fix." Then I went by Caroline and tried out the new Kilobyte Delay. This thing is RAD, man. Love Caroline for their Wave Cannon, but this is another reason to pay attention to what Phillipe and the gang are up to. Really cool control over the gain of the repeats-- you are able to get some great saturation and grit. This is what I wanted the Supa Puss to do but didn't. And there is also the switch to have runaway repeats, which is great for on-the-fly spurts of craziness. I had a ton of fun playing with this one. Also pictured is their Cannonball-- a Wave Cannon with momentary chaos switch. Next was the Wampler booth. I got to chat with them a bit about their new pedal, the Dual Fusion. It's a great idea for a pedal- mixing the Paisley and the Euphoria together. They mentioned that it still needs some tweaks in the EQ sections, but it's getting close. The proto also does not have a way to quickly change the order of the effects-- you just have to move the ins/outs around. But perhaps this will change on the production model. It sounded great, and even though you lose a few controls (bass on Euphoria, counter on Paisley), it was super super versatile, and of course the stack was great. After that I headed over to Rockett. I was chatting with them about their new Mark Sampson line, when up walks Mark Sampson! That was cool to shake his hand and meet him briefly. They started chatting about their new pedals, and got to hear each of them. They all sounded great, but the two that really stood out were the High Top and the unmarked Klon-esque pedal. The High Top really took your amp into Matchless/AC territory and had a great EQ and glassiness to it. Truly a DC30 sound in a box. The Klon-esque pedal (not sure I heard a name) is two sides: one has simple volume/tone, and the other has more control-- one switch toggles the two sides, the other switch is bypass. Really cool sounding, and is more appealing to me than the Klon for the added gain stage and more EQ control. Don't know when this will be out but I hope I can afford it! The other Sampson pedals should be out in March.