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#16
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Quote:
MIC -> PRE -> MIXER (line in!) Be sure you're connecting your preamp with a TRS cable into the LINE IN jack of the mixer!! Never stack preamps. If you use an XLR cable from the preamp to the XLR jack of the mixer, you're using two preamps (the pre on the mixer is in the XLR jack circuit). Turning the pre-amp down on a mixer doesn't kill the preamp itself. It's buffered and will sound nasty. Regarding your EQ, don't you have EQ post production? Most audio sequencers (cubase, sonar, ableton) come with OEM EQ tweakers. In recording, it's best to capture THE REAL sound, in all its glory. then, once it's captured, go ahead and tweak it... because that's un-doable. But if you EQ it as it comes in, you can't un-do that. Same goes with the effects unit. But honestly, there is a way to use your effects unit with your mixer in post production. Ever heard of an "insert" jack? Insert jacks require a full-TRS cable (just one!) that is connected to a TRS-capable INPUT jack of your effects unit, into the INSERT jack of the mixer. Then, you can route the sound of the mixer back and forth through that one cable. If all this seems sort of fuzzy, perhaps you should check out the manual of your mixer. It probably has a lot of features on it that you never knew existed, things that can make your job as an engineer easier, rather than harder.
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2010 Fender American Stratocaster 2009 Gibson Les Paul Studio Faded 2008 Gibson SG Special Faded Fender NOS Tweed Blues Junior |
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#17
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Thanks for the info. Very helpful. I should have mentioned that this is for live application right now hence why I was some more detailed eq'ing abilities. I'm familiar with insert and such (stacking pres...). The main thing I was trying to get info on was the signal chain and you explained that quite well. I'll pick up the manual to our mixer at the next rehersal and do some homework. Thanks again.
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