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#16
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Definitely. Especially on Neopolitan endings in minor like here at 1:30
With Beethoven it's a real b9 interval on top of the tonic Very Nice
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Vaughn Hollund Motivation is key |
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#17
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JonR@
Here is a pop song from the 70's i just remembered
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Vaughn Hollund Motivation is key |
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#18
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Somethings tells me we are talking about two or three different things.
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#19
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Ah-ha, yes - great example of the minor iv chord! (Some great changes in that.)
Not so sure it's implying harmonic major though. And there's no 13susb9 that I can find.
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"There's only two kinds of music: good and bad. I like both kinds." - Duke Ellington. |
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#20
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Yes, I get that feeling too.
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"There's only two kinds of music: good and bad. I like both kinds." - Duke Ellington. |
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#21
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Metal is filled with this to the point of cliche.
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#22
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Here you go.. Gypsy Minor.... you might find this works well over major and well as minor key/tones
|----------------------------------11-12----| |-----------------------9-10-12-13----------| |----------------8-9-10---------------------| |-------6-7-9-10----------------------------| |---7-8-------------------------------------| |-0-----------------------------------------| You can come up with something with this, I'm sure.
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You got to get in to get out ~ * Genesis |
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#23
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I think this might be referring to Bird's use of major 3rd to flatted 9th, which became a cliche.
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#24
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Yes.
![]() Quote:
I hear a dominant sound
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Vaughn Hollund Motivation is key |
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#25
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It's all over this tune:
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#26
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It has D in the bass, every time. I checked
.OK, it's a D-A-D figure, but D is clearly the main bass note. It's not a dominant sound, it's a - well - minor subdominant sound. A tonic 6/4, maybe, but with a b6 extension. (I don't know what the classical symbol for it would be.) I mean, it's a rare and very attractive sound (and thanks for getting me to transcribe it - I knew the song, but not well enough) - but not a dominant one, and not a 13susb9 one. Ie, minor IV chords (with 6ths too) are not uncommon, of course - which is what I guess you were saying - but they don't often retain the tonic in the bass. I know lots of songs with root position minor IV chords - and probably lots with 1st inversion minor IV chords (there's one in One Day I'll Fly Away, in the instrumental section); and now I know a song with one in 2nd inversion. I'm still waiting to hear a song with a 13susb9 in it... (I'm sure they're out there somewhere...)
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"There's only two kinds of music: good and bad. I like both kinds." - Duke Ellington. |
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#27
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Uh-huh. Classic phrygian dominant. (aka major phrygian or Spanish phrygian, aka 5th mode harmonic minor.)
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"There's only two kinds of music: good and bad. I like both kinds." - Duke Ellington. |
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#28
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JonR
there are plenty But you have to know the sound to recognise it. Not only rely on theory. Here the Gm6 clearly interacts with the A in the bass, and the context of the verse, makes a G melodic minor sound With A in bass. All notes combined.
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Vaughn Hollund Motivation is key Last edited by vhollund; 06-25-2012 at 04:16 AM. |
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#29
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Quote:
No problem if you don't. Quote:
This is the bass part, which is under both the D and Gm6 chords: Code:
|------7-------7---------7-------|----------- |----7-----7---------7-----------|----------- |5---------------5---------------|----------- |--------------------------------|----------- 1 . . . 2 . . . 3 . . . 4 . . . D A D A D D A D
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"There's only two kinds of music: good and bad. I like both kinds." - Duke Ellington. |
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#30
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That sound is all over world music.. very cool.
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