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  #16  
Old 06-24-2012, 04:11 PM
vhollund vhollund is offline
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Definitely. Especially on Neopolitan endings in minor like here at 1:30



With Beethoven it's a real b9 interval on top of the tonic
Very Nice
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  #17  
Old 06-24-2012, 04:29 PM
vhollund vhollund is offline
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JonR@

Here is a pop song from the 70's i just remembered
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  #18  
Old 06-24-2012, 07:24 PM
guitarjazz guitarjazz is offline
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Somethings tells me we are talking about two or three different things.
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  #19  
Old 06-24-2012, 07:56 PM
JonR JonR is offline
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Quote:
Originally Posted by vhollund View Post
JonR@

Here is a pop song from the 70's i just remembered
Ah-ha, yes - great example of the minor iv chord! (Some great changes in that.)
Not so sure it's implying harmonic major though.
And there's no 13susb9 that I can find.
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  #20  
Old 06-24-2012, 07:57 PM
JonR JonR is offline
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Quote:
Originally Posted by guitarjazz View Post
Somethings tells me we are talking about two or three different things.
Yes, I get that feeling too.
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  #21  
Old 06-24-2012, 08:28 PM
anderson110 anderson110 is offline
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Quote:
Originally Posted by Penosity View Post
If I remember correctly, "Wherever I May Roam" by Metallica employs heavy use of b2.
Maybe not the genre you were looking for but there it is nonetheless.
Metal is filled with this to the point of cliche.
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  #22  
Old 06-24-2012, 10:20 PM
Seraphine Seraphine is offline
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Here you go.. Gypsy Minor.... you might find this works well over major and well as minor key/tones

|----------------------------------11-12----|
|-----------------------9-10-12-13----------|
|----------------8-9-10---------------------|
|-------6-7-9-10----------------------------|
|---7-8-------------------------------------|
|-0-----------------------------------------|


You can come up with something with this, I'm sure.
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  #23  
Old 06-25-2012, 12:49 AM
projam619 projam619 is offline
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Quote:
Originally Posted by vhollund View Post
Charlie Parker use the sound all the time
It's very cliché actually
I think this might be referring to Bird's use of major 3rd to flatted 9th, which became a cliche.
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  #24  
Old 06-25-2012, 01:40 AM
vhollund vhollund is offline
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Yes.

Quote:
Originally Posted by JonR View Post
Ah-ha, yes - great example of the minor iv chord! (Some great changes in that.)
Not so sure it's implying harmonic major though.
And there's no 13susb9 that I can find.
Gm6 with A in the bass
I hear a dominant sound
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  #25  
Old 06-25-2012, 02:38 AM
Zero G Zero G is offline
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It's all over this tune:

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  #26  
Old 06-25-2012, 03:05 AM
JonR JonR is offline
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Quote:
Originally Posted by vhollund View Post
Yes.



Gm6 with A in the bass
I hear a dominant sound
It has D in the bass, every time. I checked .

OK, it's a D-A-D figure, but D is clearly the main bass note. It's not a dominant sound, it's a - well - minor subdominant sound. A tonic 6/4, maybe, but with a b6 extension. (I don't know what the classical symbol for it would be.)

I mean, it's a rare and very attractive sound (and thanks for getting me to transcribe it - I knew the song, but not well enough) - but not a dominant one, and not a 13susb9 one.

Ie, minor IV chords (with 6ths too) are not uncommon, of course - which is what I guess you were saying - but they don't often retain the tonic in the bass. I know lots of songs with root position minor IV chords - and probably lots with 1st inversion minor IV chords (there's one in One Day I'll Fly Away, in the instrumental section); and now I know a song with one in 2nd inversion.
I'm still waiting to hear a song with a 13susb9 in it... (I'm sure they're out there somewhere...)
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  #27  
Old 06-25-2012, 03:09 AM
JonR JonR is offline
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Quote:
Originally Posted by Zero G View Post
It's all over this tune:

Uh-huh. Classic phrygian dominant. (aka major phrygian or Spanish phrygian, aka 5th mode harmonic minor.)
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  #28  
Old 06-25-2012, 04:04 AM
vhollund vhollund is offline
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JonR
there are plenty
But you have to know the sound to recognise it. Not only rely on theory.

Here the Gm6 clearly interacts with the A in the bass, and the context of the verse, makes a G melodic minor sound With A in bass. All notes combined.
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Last edited by vhollund; 06-25-2012 at 04:16 AM.
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  #29  
Old 06-25-2012, 06:26 AM
JonR JonR is offline
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Quote:
Originally Posted by vhollund View Post
JonR
there are plenty
But you have to know the sound to recognise it. Not only rely on theory.
I'm not "relying" on theory. I know the sound. I just want some examples of songs with 13susb9 chords in them, and I was under the impression you knew of some specific ones.
No problem if you don't.
Quote:
Originally Posted by vhollund View Post
Here the Gm6 clearly interacts with the A in the bass, and the context of the verse, makes a G melodic minor sound With A in bass. All notes combined.
Well, it interacts rather more with the Ds rather more than the A. (I think you need to listen again.)

This is the bass part, which is under both the D and Gm6 chords:
Code:
|------7-------7---------7-------|-----------
|----7-----7---------7-----------|-----------
|5---------------5---------------|-----------
|--------------------------------|-----------
 1 . . . 2 . . . 3 . . . 4 . . . 
 D   A D   A   D D   A   D
You really think that makes A the root?
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  #30  
Old 06-25-2012, 07:47 AM
Jeremy_Green Jeremy_Green is offline
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That sound is all over world music.. very cool.
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