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#16
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My fingerpicking is based on classical technique, flesh then nail. I modify my hand position slightly for steel vs. nylon, I straighten my wrist a bit so the fingers strike the string at a bit more of an angle. That gives me just a bit more flesh before the nail hits, and the nail hits at a bit more of an angle. On either instrument I change hand position constantly to change color, but as a baseline that's where it is.
On electric I mostly use a pick but I do use fingers also. I can use flesh and nail as on an acoustic, but I'm more apt to pull and snap strings on an electric so there are more techniques involved. I maintain my nails with 400 grit sandpaper. I always have a piece folded in my wallet. I get some really odd looks when I pull it out.
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Fractal Audio Systems Axe FX Way 2 Many guitars |
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#17
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Both for me, fingernails do a little better job of making passages sound clearer but flesh helps to add some warmth to the sound.
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♪♫ ♪♪♫ ♫♪♪ ♫ ♪♪♫ ♫♪♪ ♫ "The better you look, the more you see!" - Bret Easton Ellis |
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#18
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Thanks for the replies.
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#19
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Steel strings tear my nails apart...
I ramp mine and have a little showing on the contact side. Flamenco is what seperates the men from the boys!! Has anyone checked out Amos Lora? That kid is going to be a star... Do love the percision of the top classical players too |
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#20
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Mostly flesh but with enough nail there to touch the string as the finger comes off, or for a downstroke strum.
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#21
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If you always "pull up" as it were, you could try Alaska pics or steel pics. I've been taking flamenco lessons for a while now, and my natural nails, besides being weak, have built in shape flaws that basically require me to use artificial, so I use solar nail or similar acrylics. I'm trying to learn to apply myself but they stay on better when a pro does it. Flamenco requires good nails, there is no way around it.
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