|
#1
|
|||
|
|||
|
What do you guys think of ebony fingerboards with striping?
Particularly when it is not very symmetrical or consistent but perhaps just one light stripe that varies a little bit as it runs down near one edge of the fingerboard?
Do you find this to be very interesting "character" of the wood...or do you perceive it as an imperfection that you wouldn't want to live with on one of your guitars?
__________________
No sig required. |
|
#2
|
|||
|
|||
|
I like it in most cases. Over time it should darken as your fingertips oil the board. The thing is, we'd better get used to it. Pure black ebony is getting more and more rare and is becoming more expensive compared to the stripey stuff.
__________________
I love the smell of solder in the morning. |
|
#3
|
|||
|
|||
|
Many builders dye their fingerboards to reduce the striping. If you see a solid black ebony board these days, it was dyed.
|
|
#4
|
|||
|
|||
|
I think fretboard grain patterns are difficult to generalize about, perhaps moreso than other visual characteristics of guitars. Sometimes the grain pattern can be very distracting if it's not symetrical, while other times a crazy pattern really adds to the visual appeal of the guitar.
FWIW, I really like this striped ebony fretboard: ![]() There's a thread on BAM about fretboards you might find interesting. |
|
#5
|
||||
|
||||
|
Manufacturers have been dying fretboards for years. The supply of jet black ebony is getting dear and it's a very spendy option nowadays. I'm a proponent of "let wood be wood" so I welcome figure in fretboards. Macassar ebony is a prime example of ebony with real grain. That's a nice looking board there -
|
|
#6
|
|||
|
|||
|
Quote:
For production guitars, you are absolutely correct.
__________________
I love the smell of solder in the morning. |
|
#7
|
|||
|
|||
|
I don't mind the striping, I don't have any with it, but I like that pic you have there. As long as it is flat smooth and fast, any grain (or knots in the back, sapwood on the sides) in the wood anywhere gives the guitar character as far as I"m concerned. That's the reason I'd never buy a colour dyed acoustic. The wood is just too pretty
|
|
#8
|
|||
|
|||
|
They don't sound as good as the ones without striping...
|
|
#9
|
|||
|
|||
|
I love the look of "pure" black ebony, but I also believe in "let wood be wood". I'll take sound over looks any day of the week, and color variations don't change the sonic characteristics of ebony.
|
|
#10
|
|||
|
|||
|
I don't own one but I really like striped ebony...it adds character.
|
|
#11
|
|||
|
|||
|
I really like the look of good ab inlay, especially the trad designs, against jet black ebony.
That said, I have nothing against the idea of striping and I'm sure there are luthiers (Grit Laskin comes to mind) who could work with the wood's natural colors to create some very cool inlay designs. |
|
#12
|
|||
|
|||
|
...isn't "...adds character..." an euphemism for "...less than perfect"?
__________________
GTRS - 1968 Fender Telecaster || 2002 Gibson ES-135LE || 1986 Ovation Balladeer (1117-1) || 2004 Ovation Viper (EA68-5). AMPS - 1969 Fender Super Reverb-Amp with JBL/D110F's || 2004 Line-6 Spider-I || DIY VibroClone with JBL/D130F. |
|
#13
|
|||
|
|||
|
Quote:
|
|
#14
|
|||
|
|||
|
Well I ended up picking up a Taylor 414ce that has a stripe kinda similar to the pic included on this thread...but there is more black and less striping...but it does have one distinct stripe on it.
Can't say that I wouldn't prefer it to be jet black all the way through...but I'm growing accustomed to the stripe and for all the mojo that this guitar has, I'll certainly overlook it. ![]() Went through about 15 Taylors at 3 stores from 410 up to 914 and this one was simply the best of the bunch (thankfully it was a grand cheaper than the upper models too).
__________________
No sig required. |
|
#15
|
|||
|
|||
|
Striped ebony is not inferior.
|
![]() |
| Thread Tools | |
| Display Modes | |
|
|