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#61
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+ "fake violins" + "fake percussion" + etc. etc. etc. Playing piano for over 20 years now. A good sample library + a good keyboard (Doepfer, Kurzweil..) and you'll be satisfied. Especially when you're gigging. Plus: this comparison (digital piano and modeling amps for guitars) is far away from reality. Quote:
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#62
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Obviously started by a guitar player who has never played Pianoteq on a grand piano keyboard.....it's as real as the sound system you hear it thru can make it sound, some of which are mighty darn real. I sat down at one and had no idea it was digital......until the saleman walked over and shut it off.
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I don't always have delusions of Will Hunting, but when I do....I have them in the pub! |
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#63
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This thread is going in the same direction as most D**ble threads.... I predict lockdown....
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Mesa Boogie Mark IV, RedPlate MDD, Fender Supersonic modified by Voodoo Amps,RedPlate Cabs, Brownnote Lite 18, too many guitars, too much gear.... |
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#64
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#65
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yep because the inmates cant play nice sometimes although this latest volley is at least civil. Quote:
sorry glossed over the ppi and wtf does this have to do with sound, tone, nothing, 2 different things and the differences in analog and digital photog are well known but you forget when I stated my opinion that I like analog (tubes) for their purity in feel and color in tone I dislike digital (modeling) for its artificial feel and purity in tone, I want color which in the analog world is the result of a tuned circuit('s) and the LCR properties that exist. like the differences in ge and si, there are differences in Tube and SS and finally Tube, SS and SS Modeling. In regards to photography, one wants purity if were talking pure photography maybe science and if art, maybe color the technology can impart for effect, thank you photoshop anyway the analogies do break down and sound/music does not only elicit a deeper emotional response, it can be physical too and that means we have better auditory skills, just does not compare and the point of this is, we interpret the info in each discipline differently Quote:
analog transduction requires no sampling or conversion, right out of the gate its not impared in that way, it does not have those hurdles to get over and for some reason some seem to think digital holds all the answers, well yes it does hold many but IMO, and your free to disagree, the most important is a compromise and that is feel and then there is the little matter of tone all of these ancedotal claims of "i had no idea it was digital" or "I found players who could not discern the difference" or "the audience does not care nor can they tell"...all meaningless to me and to those like me who hold these opinions telling me in so many words I am ignorant or lack knowledge without refuting my points with something tangible means your looking in the mirror, I have used, studied and worked with the tech both personal and professional, its not just talk the major difference and one that is an advantage for digital pianos is that and you may want to sit down, THE SAMPLES ALREADY EXIST AND ARE MERELY TRIGGERED WHERE AS IN A GUITAR MODELER THE SAMPLE (event) HAS NOT TAKEN PLACE YET, THE NOTE MUST BE STRUCK, SAMPLED, OVERSAMPLED, CONVERTED, PROCESSED, CONVERTED AGAIN AND OUTPUT exhausting process, imagine how the electron feels ![]() ![]() ![]() Digital Pianos got it all over digital guitar, always had |
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#66
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A piano is a completely acoustic instrument. It might work if you compare an acoustic sim pedal to an acoustic. Amps are only electronics, circuits, wires, etc... designed to amplify an instrument to a certain frequency. They are not a holistic acoustic instrument. With that said, I'm with you - I still think it's really hard for any digital amplifier to actually sound like a tube amplifier in the room. Going direct and recording? Digital amps kill mics and speaker cabs and room irregularities and such. For performance? Having a digital rig vs. tube rig in the room? Tubes are where it's at. It doesn't mean that digital rigs don't work and even work well, but that they aren't the same as a valve rig and the way a valve rig works in a room/stage mix. I really want them to, because I think digital tools are wonderful, but I've owned many and I'm still not convinced. |
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#67
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I disagree with this. Dig up ed degenaro's demo of his Axe-FX and JTM 45 where he sweeps real time back and forth between the two. The tones are ever so slightly different, both tones sound great, and no one listening who's worth a damn could possibly care less. |
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#68
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Given your lengthy and multiple posts you seem to care more than you are willing to admit...even to yourself. If you really believe in "live and let live" enjoy playing your tube amps and be glad that others have also found amps they enjoy, even if they differ in design from your personal choice. I have never once seen a person who uses modelers start a thread denigrating tube amps. This thread, and your posts, seem as far from live and let live as it gets. Personally I use and enjoy both, but I don't start threads about amps I don't like. Really, what's the point?
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Guitars: Strat, 335, LP Jr. Special+ Amps: Sig:X, '65 Super Reverb, '66 Deluxe Reverb, Axe FX II/Atomic CLR Pedals: Zendrive, BB Preamp, Ethos Overdrive |
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#69
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#70
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You are a provocateur.....I think that's French for "troll." Your next move should be to add me to your permanent ignore list.
__________________
I don't always have delusions of Will Hunting, but when I do....I have them in the pub! |
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#71
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once again it begins to self destruct, civility that is and I am the one who said live and let live LO F'ing L
some of you get yo panties all in a knot when someone declares their position, frankly who cares, its boring, I would rather be playing the other funny aspect of this, most of ya'll freely admit, there is a difference thats the point, there is, how much is probably the most subjective aspect maybe difficult to quantify but oops there it is Quote:
thats fine, I like the tools to0, I dont go hating, just expressing a viewpoint, if you disagree, I dont see a problem, express it and do it civily and stop throwing the troll label around when you cant find the constructive words to counter with its old tired and does not fit Quote:
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#72
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i guess albums recorded on pro tools, can never sound like a real recording either.i think the idea of modeling is to capture the IDEA of an amp, and to give a tool for the task at hand. i have heard a line 6 vetta II recorded direct to pro tools sound completely indistinguishable from my slo recorded in the same song. not in its "tone" but in its performance in the song and mix.
im a 100% tube amp guy. i was flabergasted! so was john mclean at the factory in vancouver. you may know it as little mountain sound. famous 80s studio , for motley crue, aerowsmith,acdc etc |
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#73
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I think troll is the right description here.
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#74
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#75
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Modelers have much to recommend them. I have tried a few of them over the years.
Some get better and some are still not very good at all. I have yet to play one that responds < touch sensitivity > as intuitively as a very good tube amp loaded with very good tubes, through a good speaker. Their sound is getting there. The feel, at least to me, still has some way to go. I hope they get better as the supply of truly great tubes is finite. |
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