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#16
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Congrats NGD! I would never sell a LP to see Springsteen and Neil Young or any artist! You can play the LP over and over. You will see those guys once and it is over.
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Charlie LP Robot, Gib LP, Am Dlx Strat, 60W Super Sonic (2)VK112 Bias Mod see link http://ultimate-guitar-valveking.wikispaces.com/ Weber OTs Fend MIM Tele DLX 2011 HH Avatar 112,Emin Lynch Super V12 Speaker 12'' 8 OHM 150W...Good deals with: Blue Strat |
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#17
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Don't be afraid to work that tone knob! And if you haven't, I strongly suggest that you give 50s wiring a try, especially if you ride the volume knob often.
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2003 Fender CS '51 Nocaster Relic, 1992 Framus FDG 20S Plutoneium Chi Wah Wah - Korg Pitchblack - Lovepedal Eternity Black - Fulltone Catalyst Fender '59 Bassman RI, Pignose Legendary 7-100 |
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#18
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That traditional should have 50's wiring.
To the OP.... Since you are so new to Lesters, here's a tip. What you do at first is set it to the neck pup with tone/vol on 10. Then you set your amp EQ to where it sounds best to you. Then switch to the bridge pup and set the tone to where it sounds best. As I said, I have found 5-6 to be best. Then remember to set your amp/OD drives to the maximum that you'll ever use and then take full advantage of those vol knobs to adjust your amount of gain you are after. Lesters are among the best guitars for this. You should be able to reduce it all the way down to two which should give you about 85-90% of your volume but with almost no grit at all I find myself relying less on amp/ pedal tweaking with les Pauls.
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- I have no money, but man have I got tone. - Anything I say is IMHO. |
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#19
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Quote:
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Les Paul Traditional Plus in Iced Tea Fender American Deluxe Ash Telecaster (Butterscotch Blonde) PRS Mira Budda SD18 and Reverend Goblin |
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#20
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Not only is lowering pickups a good idea on a LP, but so is messing with Pole Pieces. I used to have the pole pieces on the rhythm pickup UP a couple turns and the bridge DOWN one turn, but ymmv. Google "les paul pole piece adjustment"
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LOVE YOUR AUDIENCE GTRS: Tom Anderson: Crowdster + 2, Hollow Atom CT, Classic • Wechter: Pathmaker (US) TOYS: FBT, Line 6, xotic, Planet Waves, Mission, Lava, Fishman, Yamaha, Electro Harmonix, This1sMyne, Elixir, etc... Electric & Acoustic AT THE SAME TIME • Electric & Acoustic with Variax • Check out my music! |
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#21
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Very nice! I have a 2010 Traditional Gold Top with 57's that is my new baby. Absolutely love it.
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I love 100W amps & 4x12s. |
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#22
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For a Traditional you got a really nice top. They can be a bit hit and miss.
I really like the Traditionals. I had bought one and came into a bit of money from a work bonus so I brought it in to trade vs a 2008 standard or other. Until I got all the way up to a Class 5, the Traditional sounded as good or better than the competition. But the Class 5 (given nearly twice the cost) blew it away. Love the class 5. I do like the Classic 57s. Some people want a firmer bass response but I dig them.
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"Please don't dominate the rap jack, if you've got nothing new to say" - Hunter/Garcia Guitars:Moriarty Wolf, Resurrection, Phiga Wolf; Gibson:Les Paul R9, '59 Les Paul Jr, Les Paul Class5, '79 ES335, SG Bass: Fender:CS Cabronita, '75 Strat, '75 PBass, CS '62 Strat, '52 Tele RI, RW PBass; Martin: D18GE, OM28v Amps: Fender:Bandmaster Reverb, Blues Deluxe w/JBL, 2xJBL cab, EC VChamp, Genz Benz Shuttle |
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#23
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Quote:
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#24
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Nice one! HNGD
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#25
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Quote:
Hmm, this is all good advice. I'm used to getting my sound from pedal tweaking and leaving the guitar pretty much at max everything. I guess I'll need to rethink some of my playing and experiment more with guitar knobs! This is why I love getting new/different gear, it forces me to try different play styles and techniques. |
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#26
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Quote:
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#27
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+1. Jimmy Page is well-known for this as well.
__________________
2003 Fender CS '51 Nocaster Relic, 1992 Framus FDG 20S Plutoneium Chi Wah Wah - Korg Pitchblack - Lovepedal Eternity Black - Fulltone Catalyst Fender '59 Bassman RI, Pignose Legendary 7-100 |
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