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#91
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Quote:
The famous anecdote told about Red River is directors Howard Hawks and John Ford having lunch in the commissary. Ford gets a scowl on his face and says "I never knew the son of a bitch could act" in reference to Wayne's performance in the Hawks' film.
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#92
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Quote:
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"That's my favorite music, when "awful"... gets just a little better." Joe Walsh |
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#93
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![]() It's a freakin' horrid, dated campy mess. The new one ain't that great either. Too matter-of-fact, and yet opened ended at the same time. You just wanna know how she lived out the rest of her childhood after trip, and you get nothing.
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#94
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also a prominent faux paux in wayne's version was his condition. he was getting old and had a sizeable pot belly going..didn't really look like a hard-rider who could stay in the saddle for days, looking for outlaws in the great expanse of the west. he already looked like he needed bed rest every night.
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#95
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Quote:
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Last edited by Boobala; 02-24-2012 at 04:26 AM. |
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#96
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heh. got to admit, i never read the book. i guess in that situation (un-read) it's up to our own minds what he should look like.
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#97
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The new one was good.The old one was GREAT.The open air ,the visual.Just a better movie.
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#98
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I watched the JW version before I watched the Coen Bros version. The JW version just doesn't cut it for me--it's like a sanitized "Pollyanna" thing.
I much prefer the Coen Bros version. The character protrayal is a hell of a lot more believable, the props--gear/clothes/buildings/etc--looked like they were actually used, not fresh from the store, the dialogue was a hell of a lot closer to prose from that time, etc. The JW version looks like modern guys went to the store, bought some western-style gear, then went riding off playing cowboy cops-n-robbers. JW was fantastic in certain films, just not this one. Gotta give Glen Campbell props, though, for having the balls to step out of his music genre and co-star in a movie with John Wayne.... |
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