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#1
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Gibson Barney Kessel -- Holy Crap!
Up until I saw one of these things today, I thought the Trini Lopez was the coolest Gibson hollowbody. (Forgive me my ignorance, I'm typically more of a solidbody guy.) But just look at this thing!!! Double Florentine cutaways?! A damn music-note on the headstock??!! Freaking BOW-TIE INLAYS???!!! Whaaaatttt?!!!
They sure don't make 'em like this anymore... No wonder they talk about a Gibson golden age. I wish this dude was playing something a little more up-tempo, though. |
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#2
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I have been looking to buy one of these
Hello....anybody out there?
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Take it easy, but take it. |
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#3
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Contact Greg's Guitars in GA. Greg Hilden might sell his? Can't hurt to ask!
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AxEffects.com TGP: Scott Auld, PT Design PaulTrombetta, Fuchsaudio, Raybob Tube-Tone Amplifiers, Gene Baker, TreyAnastasio, Toadcaller, GOHOINC, Loud Librarian, Clapton is God, spookybonus, EvilDeadHead, oneshowmaster, jtx99, JayDub, Stormin, chasr7171, picnic, BigDiceBuddha, Branbolio, Bejazzz joeschai , dlo, eupbin, 2Strats, indexless, fuzzyguitars, rburkard, fatfingers, KSDS, DividedSky, SG_Seth, Fatfingers, guitars4me, Casey I, Soul Man, Schpaybo, dscuyamungue, Suhrimmetal, JeffBelch, CaseyI, more |
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#4
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Don't forget everyone: if you buy this guitar, the law dictates that you must post pics!!!
I don't want to see anyone wind up behind bars or anything. |
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#5
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I owned this 1963 Barney Kessel Custom for quite a number of years. It's pictured in Gruhn & Carter's Electric Guitars, and was the nicest Kessel I ever came across. I wish I still had it.
![]() Danny W. |
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#6
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I've worked the fields of Kessel for the PAF harvest.
They are perfectly functional jazz boxes, but watch out for pencil necks - they wreak havoc on the thresher.
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Hammertone is affiliated with Hofner Canada |
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#7
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Wow. That's nice. What does it say on the truss rod cover? I can't quite make it out.
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#8
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Quote:
Kessels are wonderful guitars, and the ones I've played haven't had pencil necks...unlike my Trini Lopez Custom, which I'm currently trying to sell for just that reason. |
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#9
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Back in the 60s when I started playing the Barney Kessel was the most expensive guitar in the Gibson catalog over in the UK can't remember the exact price but it was more than my annual salary at the time. It always looked like some kind of exotic dream and it was years before I saw one in the flesh so to speak, but by then they had started making Lesters again and huge a hollow body and a 200w stack did not really go together ;-) they do look like a class instrument though.
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PRS ME1 x4 MEIII, 513, 305, CU24 Singlecut x2 Santana II Braz , HB II piezo PS SC-58, Les Paul std Two Rock, Carr & Matchless You don't stop playing because you get old, you get old because you stop playing |
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#10
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Quote:
__________________
Live clip of Splinter at The Cavern, November 2006: http://www.youtube.com/watch?v=GxOCksQUKbI Always took candy from strangers, didn't want to get me no trade. D Major is a key, not a pitch. |
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#11
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Quote:
Gibson's price lists for the mid-'60's has the Kessel at much less than any of the carved-top electrics. Danny W. |
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#12
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I played for years with a guy who played one for years. IMR it had one PAF and one Pat# pickup.
It's a pointy-shaped full-depth plywood archtop. Within that sentence we find a combination of features which many people rarely combine. |
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#13
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I've come across a couple of them in my distant past.
They struck me as a kind of ES-175 with different styling and apointments .... which isn't a bad thing
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Where the Buffalo Soldiers roamed. |
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#14
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my fave is still the Johnny A signature
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#15
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Quote:
Well the last time I looked, 1969 was in the '60s. It doesn't 'barely qualify'. It either is, or it isn't. And it is...
__________________
Live clip of Splinter at The Cavern, November 2006: http://www.youtube.com/watch?v=GxOCksQUKbI Always took candy from strangers, didn't want to get me no trade. D Major is a key, not a pitch. |
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