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#76
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Gear discussions often hit this one wall: Some need to assert the innate superiority of something (a favorite amp, a favorite pedal, a pickup, a vintage guitar), and insist that nothing else comes close. Others say that it's not necessarily so. Someone inevitably insists that anyone who doubts the inherent superiority of the uber-thing simply hasn't experienced it or otherwise doesn't "get it." And ultimately, the only intuitively and experimentally sound conclusion is that it is all individual. All we know for sure based on the OP's story is that a 1958 Strat he recently played was utterly fantastic - for him.
This stuff really is individual. It's why I don't believe in "running the racks" at a guitar store. For one, they all need a setup and string change before I am able to get my own personal nth degree of comfort and sound out of them. For two, on any given day, out of a wall of 25 guitars, I'd pick a different guitar as the best. Impressions are just that. For me, one day's "too dark" guitar will be "rich and sweet" the next. Avoiding absolutes is the only way to talk about tone and not ruffle feathers. |
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#77
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You would think everybody would understand this and not get their guitar panties in a bunch over threads like this one.
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2011 Taylor 814 ce, 2011 Gibson Historic R8 LP 2011 PRS MEQ, 2013 PRS PS# 4165 2010 PRS SC 58; 2000 Fender Custom Shop Strat, Bogner Shiva EL34 Head & Shiva 112 ext cab Blackstar HT Club 40; Carvin Bel-Air 212; Nomad 112 |
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#78
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You could go through a slew of vintage Strats before finding the right one, the same could probably go for modern custom shops too. However, I think there is more consistency in todays Strats and you can find a ton of great ones at a shop such as Wildwood as opposed to a a single, great sounding vintage Strat. Plus with vintage guitars, you would still be paying big bucks for it even if it's completely dead. Custom Shops all the way in my opinion. |
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#79
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I fully expect they are mostly duds. I also believe the killer ones are rare, and when you find them, they are utterly killer. That's the impression I get from all the threads I've read and the one true vintage piece I owned.
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2011 Taylor 814 ce, 2011 Gibson Historic R8 LP 2011 PRS MEQ, 2013 PRS PS# 4165 2010 PRS SC 58; 2000 Fender Custom Shop Strat, Bogner Shiva EL34 Head & Shiva 112 ext cab Blackstar HT Club 40; Carvin Bel-Air 212; Nomad 112 |
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#80
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To put that in perspective, (which is what you are doing above) my customs are silly-good guitars and play like a dream. They are very close on all levels and fit me to perfection. I would never trade one of them for the old strat. AND, I suspect in a test where someone else plays and I listen, I am not sure I could discern the old one compared to my own customs. Playing them all is a different story, and the interaction between the player and the instrument cannot be discounted here or we will lose understanding. It's not a placebo and it's not confirmation bias. Some old guitars, just a few IMO will almost make you believe in magic. This is the player's perspective, not the listeners and it is much harder to test for. dc
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All gear breaks. Therefore, if you have enough gear (a value we will call X) The odds of something failing during a given event approach 100%. Solve for X... |
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#81
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I agree with you there, but what the OP said was this... Quote:
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#82
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not being an ass to what the op said, but i just found it very amusing. |
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#83
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its hard to remember that though. you pick up a guitar, it plays lousy, you pick up another and it plays well. you naturally think the second one is better, when it just might be a 15-minute set-up that is the only difference. |
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#84
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I don't know about you guys, but I kind of need my own amp and guitar as a reference point when I'm comparing guitars. Otherwise it's not so easy to hear the tonal nuances that set one guitar apart from another.
__________________
2011 Taylor 814 ce, 2011 Gibson Historic R8 LP 2011 PRS MEQ, 2013 PRS PS# 4165 2010 PRS SC 58; 2000 Fender Custom Shop Strat, Bogner Shiva EL34 Head & Shiva 112 ext cab Blackstar HT Club 40; Carvin Bel-Air 212; Nomad 112 |
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#85
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Also depends on just how you happen to be feeling/playing on a particular day. Some days are better than others and a good player will sound good no matter what he's spanking on.
That said, I'd love to have the opportunity to experiment with a lefthand vintage Fender. |
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#86
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The resolution to this question will not happen here, but in the most logical of places if you want to chase this down. I took the time to explore this, found answers. It's been resolved for me. That said...
I'm happy for the OP if he heard and felt a great musical instrument. That's always a nice experience, although it tends to ruin us for the crap we have at home. |
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#87
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The violin articles that were posted have been around for years. The guy who makes the instruments in that study had been trying for years to make a new instrument that sounds old...finally in the end I think he did that study to substantiate that his instruments, while not sounding like the old ones actually sound better and that people couldn't even tell what an old one sounds like anyway. Unfortunately, he failed to convince the musicians of that as they still prefer the old ones and in the end he could not justify a high asking price for his instruments....and he could not get any one 'known' to play them. There is still no market for them and he has not made his fortune. If you want more info on it, search some of the violin forums...you will get more then you are looking for. Personally, i can say without doubt that a good old violin will have qualities that a well made new instrument can't replicate, although the new instrument can and will sound very good in it's own right. I actually had one in my house for 3 months and heard it compared daily with a quality new instrument played by a very good violinist, so my opinion is based on that as far as violins are concerned. |
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#88
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again, i'm not saying the guitar the OP played did not sound awesome or play great. i'm just skeptical that it is the age of the guitar that accounts for its positive characteristics. and science, so far, is on my side.
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#89
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Your science has no power here.
__________________
2011 Taylor 814 ce, 2011 Gibson Historic R8 LP 2011 PRS MEQ, 2013 PRS PS# 4165 2010 PRS SC 58; 2000 Fender Custom Shop Strat, Bogner Shiva EL34 Head & Shiva 112 ext cab Blackstar HT Club 40; Carvin Bel-Air 212; Nomad 112 |
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#90
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Science!
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