A Gear Discussion Website for Musicians |
| Become a Supporting Member |
|
|
|
#1
|
|||
|
|||
|
Tim Mahoney of 311.
![]() ![]()
|
|
#2
|
|||
|
|||
![]() L.A. Session Musician/Artist Paul Jackson Jr. |
|
#3
|
|||
|
|||
|
nels cline
this is with wilco clevland last night.
|
|
#4
|
|||
|
|||
|
|
|
#5
|
|||
|
|||
|
Jeff Kollman (guitar player EXTRAORDINAIRE)
![]() ![]() Matt |
|
#6
|
|||
|
|||
|
Excuse John being in the way, hes playing with the 2nd FM4...I wonder why theres two ff's on this board?...how much fuzz do you really need, I mean 2 ff's, the big muff, ds1/ds2's (not fuzz, but similar category), none the less a awsome board, also notice how the CE-1 and DS1's and DS2'S have been on his board since the BSSM days...must tell you something.
|
|
#7
|
|||
|
|||
|
Come on guys keep em' comming, weve seen some awsome ones so far, dont let it die down! I know we can do better than the HC thread.
|
|
#8
|
|||
|
|||
|
Quote:
Robin Trower..What board?... just drop em on the stage This is his 2005 setup but other than adding a Fulltone OCD its the same setup. You dont need a ton of effects when you have 10 tons of natural talent . Great thread!
|
|
#9
|
|||
|
|||
|
Two of my personal favorites...
Lee Ritenour's board from the "Overtime" session, built by Andy Brauer
![]() Allen Hinds current setup, subject to change on a daily basis ![]()
|
|
#10
|
|||
|
|||
|
How come the pedaltrain and those other commercial boards are so popular and I have never seen a pro on stage with one of them.
????????? |
|
#11
|
|||
|
|||
|
Any pics of Doyle Bramhall Jr's board?
|
|
#12
|
|||
|
|||
|
Quote:
his board is BIG! |
|
#13
|
|||
|
|||
|
Quote:
:RoCkIn |
|
#14
|
|||
|
|||
|
yes, I know, thats why I asked, now can we please stop with all this chatting and see some more pictures!!!
|
|
#15
|
||||
|
||||
|
Eric Johnson
Eric Johnson echo rig. . .
__________________
The computer can't tell you the emotional story. It can give you the exact mathematical design, but what's missing is the eyebrows. |
![]() |
| Thread Tools | |
| Display Modes | |
|
|