|
#1
|
|||
|
|||
|
When I try to plug a Pod into my digi oo2 and hit record I can here it just fine , but There is too much latency............So, I hit the Low Latency switch and there is no sound from my guitar when trying to record....
How do I record through a Pod with low latency?? I thought Low Latency was suppose to be turned on while recording in this fassion with a POD pluged directly into the digi 002. Please comment |
|
#2
|
|||
|
|||
|
What type of computer(laptop? pc? apple?), processor(intel?) and speed, and how much RAM do you have? Just so I can get an idea.
|
|
#3
|
|||
|
|||
|
Here's one important thing with LE. When recording don't make the machine do too much work. If you have things like plug-ins or Reason or BFD running when trying to record it eats up processing power, which takes away from what's needed for recording.
Try buffer setting at 256 which may work. If not 512. Make sure you don't have anything going on but Pro Tools on your machine when recording. Set CPU usage as high as you can. Try this stuff first as see if that helps |
|
#4
|
|||
|
|||
|
Even with an HD system you need to limit what the computer does. The less processing required the less latency. The newer versions of PT also require more work from the computer, which makes some computer begin to have issues. This could be your issue.
|
|
#5
|
|||
|
|||
|
Quote:
And the latency itself isn't a product of how hard the computer is working, it's a product of the hardware buffer setting, which, for recording, I'd suggesting setting as low as possible. During the mix stage you can go as high as you please. Actually, higher buffer settings will allow the CPU to breathe and it will allow more simultaneous functions, like plugins. |
|
#6
|
|||
|
|||
|
Quote:
__________________
Such A Deal! |
|
#7
|
|||
|
|||
|
Quote:
|
|
#8
|
|||
|
|||
|
An easy solution to this is using an external mixer (if you have one). There is latency in any device that is using an A/D converter. It's just very low in a digital mixer or interface but the latency is there whether you perceive it or not.
I use a Motu 828 but used to have the Digi 001 and I'm surprised you are running into this problem with the Digi 002. It sounds like you might have a configuration problem or perhaps your computer is choking a bit. |
|
#9
|
|||
|
|||
|
Quote:
And I don't think unperceived latency is a problem for anyone. The delay of an A/D or D/A convertor is incredibly small. Technically speaking, there's even latency in the traveling of sound through an audio cable but you wouldn't notice it even if the cable was many miles long. The problem he's having is due to the buffer. The little cache of bits that the computer holds on to that allows the CPU to eat away at it as it chooses. It's the nature of Host processing, unfortunately, and part of why TDM is so damn expensive. |
|
#10
|
|||
|
|||
|
Quote:
__________________
Such A Deal! |
|
#11
|
|||
|
|||
|
Seems like a viable option, but more trouble than necessary. And anyway, that's what low latency monitoring is supposed to emulate, but I think he's using the wrong type of track for monitoring.
|
|
#12
|
|||
|
|||
|
Yeah it does sound like some operator error is going on. The "Low Latency" option does work in PTLE if done right but using a console to monitor in general is what those large desks are sitting there for in studios while tracking. It's just a scaled down way of doing it if you have a cheezy little mixer sitting around and fear the latency thing in general.
__________________
Such A Deal! |
|
#13
|
|||
|
|||
|
is the latency on the monitored tracks, or on the signal being recorded? (did I miss that?)
If it's on the input signal, mute the track while recording and use the non-latency monitoring provided by the 002. |
|
#14
|
|||
|
|||
|
Quote:
There is nothing wrong with doing everything in the box but I find you can make you're life easier by using a mixer. The studio I record at uses Cubase SX. They also use a Motu 24/IO interface and a 32 channel mixer. We are running several Synth Modules, effects and numerous group tracks. I'm not trying to talk anyone into anything. At home I mainly do my own guitar tracks. They are then imported to the computer at the studio I work at. Even at home I usually record with two mics at the same time and record several takes of 2-3 different parts. This can really build of the track and take count. I can work much more quickly even using my little Mackie 1202 than I could by constantly working in the computer. Just my opinion. |
|
#15
|
|||
|
|||
|
Quote:
|
![]() |
| Thread Tools | |
| Display Modes | |
|
|