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#1
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which boutique amp to get holdsworth sound?
So far i have been looking at Fuchs, Victoria and Louis electric
I like te tweed clean sound on the victoria and Louis but I am looking for one amp that can sound good at low volumes is versatile enough to play Jazz, stevie ray vaughn and holdsworth type sounds. I am thinking going with the Louis or Victoria and adding a tube distortion petal when I need that sustaining singing lead sound? Just wondering If you have any ideas How does the Louis sound at low levels? |
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#2
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Well SRV can be nailed with a Fender and pedals and one hell of a Legato left hand will get you to Holdsworth.
No need to break the bank imo.
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Affiliations......House of Metal Northeast, Walker Pickups, .duesentriebamps, MC Custom Cabinets, Pledge Furniture polish, Napa Valley cork shop, Fortin Amps. |
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#3
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Ditto...or a twin.
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#4
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egnater.
twin and eg 4 modules.
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tones good transactions with: wersheshberger spitchki infinity Hammered JZG spacewrangler toastyj jrogmsc _smj_ procos onthetundra bossman415 DaBlizzardofOzz Roodboy guitarboy modeerf plord rectorobbie bongomania Roach, stevie2600 Egnater Mojave Suhr Tone Merchants Tyler Guitars CAE Dave Friedman The Guitar Doctor LA Sound Design |
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#5
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Quote:
Lou's amps definitely DON'T need a pedal; but they are not what I consider low volume. |
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#6
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Quote:
__________________
'Everything is what it is because it got that way.' -D'Arcy Thompson, On Growth and Form (1917) 'There is nothing in a caterpillar that tells you it's going to be a butterfly'. - Bucky Fuller "I know its hard, but you gotta think outside the pipe, then you'll understand maybe half". - Opie Yutts Musings: http://soundclick.com/7stringjazz |
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#7
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I'm pretty sure Holdsworth uses 2 Yamaha Digital Modelling Amps nowadays. DG80s I believe.
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#8
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that's right.
One of the most convincing allan holdsworth cover tones i've heard was some cat playing the metal fatigue solo in GC on a marshall MG30dfx of all things. |
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#9
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Quote:
chris |
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#10
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last I saw he was using a lot of PEQ, and I read he sticks the tone and volume knobs around 7 to take some of the hair off the tone.
The tricks if you ask me though is a lightweight guitar, with light strings, lots of gain, and a very light touch with God's vibrato. |
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#11
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Quote:
He doesn't "pull-off" as much as "lift-off" for his legato approach, hence the need to attack the strings rather forcefully. He doesn't like the sound of the pick though needs to keep the strings ringing, so his picking is subtle. Agree that he favors lighter weight instruments and uses a .008 or .009 set. But back to the OP: Holdsworth has has success w/ many amps (and guitars), from SS designs like Hartley-Thompson and Pearce (and sometimes Lab Series for clean); to tube Marshall, Mesa-Boogie, THD and Jim Kelley; to digital Yamahas... It really is in the approach as much as anything. Boutique amps? He isn't really affiliated w/ 'em, though he often has complex rigs. Certainly has some custom/boutique guitars... Certainly his overdrive is predominantly from the amp, not pedals.
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http://WayneEagles.com http://regals.bandcamp.com Milligan-Eagles Project w/ Billy Kilson Last edited by rwe333; 06-07-2008 at 09:58 PM. |
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#12
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When I think of AH's sound, I don't think about an amp, I think about his insane technique. If I was on a AH quest, I would get a Roland Cube 60 and spend the rest of my money on lessons and woodshedding.
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#13
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Peavey Bandit?
__________________
Great deals with vibrolux56, Sloop John B and Tlon. |
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#14
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#15
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Good luck I say...impossible with anything.
I'm fairly convinced the guy has something...a personal EQ curve along with some sort of OD/Distortion that he uses that gets that tone out of anything he plays. I've gotten some pretty decent looks at his rig and there are always a few staples in his rack that leads me to believe that the actual amp he uses is the smallest factor in his tone. Regardless the one steady factor in his tone is that particular EQ curve he has going on. I'd be astounded if he got that same exact sound through all those different amps without an EQ being involved. I kind of disagree with the "doesn't use much gain thing" as well. While he undoubtedly has flawless technique, just listening to his lead sound to me tells me that he has a pretty fair amount of gain going on there. I know we like to think the greats never use any gain but I really don't think that's the case with all of them, including Holdsworth. Last I heard AH was using H&K amps and a poster on another board claimed that AH personally told him they were only used for power...not pre. |
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