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#91
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Told Me A Lie - a personal fav, Sean played both the t90 i built him and my John How Ladder Braced concert (acoustic) on that track, so it hits me on several levels.
Have You No Shame - Written by our friend Donnie McCormick, Sean sings the ears off this one, plus a wonderfully left handed guitar solo, love it. Can't Let Go - Wow, I happened to stop in the studio when Sean and Oliver Wood were recording this beauty. Little Birds - Another one. Sean played a gig Fat Matts Rib Shack with me and Scott Callison (percussion) maybe a month before he passed, Fat Matts was the first music venue he ever played at 13, played there with Felix for years and the gig he did with me was the last time he played there. I have a phone video of Little Birds from that gig and it sends chills and starts tears every time i see it.
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#92
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Stephen, thanks for the input. Have You No Shame is incredible, I agree 1000%! Do you know if it was recorded prior to this year? That's the only reason I didn't list it - this category is a songwriter's award for 'new' compositions. (Little Birds is traditional and I think out of the running for the same reason[s].)
I'm nominating the album in the Contemporary Blues category, and Sean's getting nods for Guitarist and almost certainly Contemporary Blues Artist (Male) and Entertainer of the Year on my ballot. |
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#93
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#94
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Man, so hard to pick just one, and I love the ones already mentioned. My personal choice would be "Feel Like I Ain't Got a Home.". I had a conversation with Sean at one point where he had been touring for quite a long time and he said he just wanted to get back home and take a little time off to clear his head and work on stuff. The first time I heard this song all I could think of was that conversation. The way he just took all of those emotions and set them to music, that's just true talent. I like it most because to me, it just seems most autobiographical.
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http://www.myspace.com/midnightramblers Tokai LS80S '56 goldtop, Epiphone ES-295, Tungsten 5E5-A Pro, 1964 Fender Reverb unit, Big Blue tremolo |
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#95
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Goombay Rock was always one of my favorites to play when gigging with Sean.....something about that groove......I could have played it for hours!
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#96
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To me there's only one choice, Going Home (to Live with God). Gives me chills everytime I hear it.
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Playing the blues in Gainesville with: Nash 60s Strat, Gibson 339 Caramel Burst, Gibson VOS LP Special single cut, CIJ Tele w/USACG neck, Super Champ, 2x10 Jenkins with Eminence Legends, and Tone King Imperial. http://www.myspace.com/billbarnard http://www.myspace.com/6thstreetrandbreview |
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#97
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It is a blast to play. I've gotten much better at the little tricky single string stuff that he does at the start and the end of the solo than what that clip shows. That clip was done the first or second time we tried it.
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Playing the blues in Gainesville with: Nash 60s Strat, Gibson 339 Caramel Burst, Gibson VOS LP Special single cut, CIJ Tele w/USACG neck, Super Champ, 2x10 Jenkins with Eminence Legends, and Tone King Imperial. http://www.myspace.com/billbarnard http://www.myspace.com/6thstreetrandbreview |
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#98
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Goombay Rock was my son's favorite!
The first time I saw Sean play at the HOB kitchen in Orlando,they were doing that tune and maybe hadn't done it in a while. When it got to the chorus and that little backing vocal behind "Goombay," Matt Wauchope came in way off key. It cracked Sean and him up, so much so they had a hard time delivering the next lines.
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http://www.myspace.com/midnightramblers Tokai LS80S '56 goldtop, Epiphone ES-295, Tungsten 5E5-A Pro, 1964 Fender Reverb unit, Big Blue tremolo |
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#99
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All Parts Dealer |
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#100
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"Feel Like I Ain't Got a Home." was actually written a few years ago,... so I'd go with either, Can't Let Go Told Me A Lie
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talkovichguitars.com |
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#101
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Can we have the songs we can pick from? Thanks!!! |
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#102
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Well, for my two cents for any Blues Music Awards..."Can't Let Go" just a killer song, that melody and the guitar leads throughout stick in my head all day...then the solo just lifts it up and away. It's written and performed so damn well it comes across as an R&B tune that's been around for decades. It would be a crime if WCGT doesn't get a Grammy nom for Contemporary Blues album imho.
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Guitars: Fender Amer Standard '12 Strat, Fender '12 Classic Player Baja Telecaster Amp: Fender FSR Tweed Hot Rod Deluxe w/ WGS ET-65 Pedals: Pedal Train Mini: Xotic EP Booster > Xotic AC Booster> MXR Custom Comp> MXR Carbon Copy (Planet Wave cables & One Spot Power). |
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#103
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'All this Time' is another great one......they're all good...I haven't heard a weak one yet. In my opinion - his original songs fitted seamlessly into his set along with the cover tunes...which is no easy feat considering he was playing tracks by guys like Al Green and other giants of soul, blues and RnB. Was Sean a prolific writer - is there much/any unreleased original material? |
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#104
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#105
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Sean was a big fan of Robert Lockwood Jr., he taught me Lockwood's version of CC rider. When he played acoustic, it was acoustic music. here are two acoustics that Sean also owned, the Epi I mentioned earlier and a vintage Washburn parlor. He had a decent Gibson L-00 that I put a pickup in but I believe Amy Helm ended up with that guitar. ![]()
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