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#1
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Surely it should be either 'Bass & Treble' or 'Rhythm & Lead'.
Was the whole idea when they first made it that the neck pickup was strictly for rhythm and the bridge for leads? Discuss...
__________________
The Big Beat Manifesto: "Big Beats are the Best. Get High All the Time." |
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#2
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Quote:
But us musicians never do things the conventional way do we? |
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#3
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I don';t know.
Front and back, bass and treble, rhythm and lead, neck and bridge, sing and scream, thick and fat, woody and gnarly........angelic and demonic.. ![]() It's all good.
__________________
Quick if you know, quicker if you don't! |
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#4
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Why was the Whammy bar called a Tremolo bar when it actually performed vibrato on the strings?
Well, I work in advertising... and from my experience, my guess was that it was some stupid ass ad-executive that thought of it... |
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#5
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I take the switch ring off precisely so I don't have to think about this deep and controversial dilemma.
__________________
The disgusting stink of a too loud electric guitar; now that's my idea of a good time. — Frank Zappa |
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#6
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I think to know for sure how Gibson decided on those words you would probably have to ask Les Paul (probably not on forum) or Ted McCarty (no longer with us), but I would surmise that in the early 50's when the LP was first produced there was no such thing as "Lead" guitar, and "Bass" would have been a poor choice, as that word specifically describes a different instrument.
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#7
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Same guy at Fender that called tremolo "vibrato" on their amps ...
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Chris |
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#8
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Quote:
Exec 1: So, we've got two pickups and two sounds. What do we call them? Exec 2: Well, you've got a treble-ish one and a bass-ish one. Why not call them that? Treble and Bass. Exec 1: Yeah, that's just what I need. Some guy complaining to the dealer that his bass guitar doesn't work when it's in the 'Bass' position. No thanks. Exec 2: OK, ok. How about the parts they play in the orchestra? Rhythm and... err... something. Solo? Do guitarists have solos? Exec 1: How the hell would I know? What if we put it on there and everyone's upset because they never get a solo and can't use half of their guitar? Uh-uh. Exec 2: Fine. Let's split the difference: rhythm and treble. Everyone's a winner. Exec 1: Sweet. Time for lunch. |
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#9
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That's basically it, and probably for the same reason strats don't have a tone control on the bridge pickup, (older strats) it was the "lead" pickup.
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#10
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why not just label them up and down? or no label at all?
__________________
Designer/Luthier @ Yamaha Artist Services Burbank. Ex-Tyler & Eastman Guitars: Alembic Custom 7 String Thing - Parker Fly Custom Shop 1pc Koa - Parker Fly Mojo Flame Top W/RMC Midi - Suhr Custom Standard - Gibson Les Paul 1960 VOS Darkburst - PRS CE24 - D'Angelico 17in Excel - Breedlove Masterclass Custom - Self Built Guitars Amps: 100w Two-Rock Custom Reverb Artist W/Sig 1x12 combo cab - Axe FX Ultra - Custom Audio 4x12 w/ Scumbacks, Two-Rock 1x12 Cab |
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#11
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muddy and shrill
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#12
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#13
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My fav is the light on my plexi marked "indicator".
Now that's profound.
__________________
____________________________________________ _____________________________________________ Guitars - Guitar Clinic burst replica with PAFs, '64 Gibson B-25 Amp - '72 Super Lead - Scumback speakers Special mention - Ultimate Attenuator (original Mr. Ho built, 2 volume model) Smooth deals- CWFurst, mrmojorisin, artandink, twinrider1, wailbait, RANMAN, LL1, cmloeffler, Quinny, neil99, arfalax, blueswah, AbbeSauniere, Chrissy, boogieongtr, SDMF, gmprak, Mike Lee, Sandro, dustincole, sweetpea, rockinrobby, jackaroo |
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#14
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I always thought it was because ''red" and ''green" would've looked silly.
Seriously, I always remove that stupid ring because it looks retarded.
__________________
I mean singing about "another mule kicking in your stall" loses even its metaphorical impact when you live in an apartment in a city. -Seiko |
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#15
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