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#1
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Any of you guys play harp (harmonica)?
I'm trying to figure out what notes are being created when you blow, draw, and bend (draw bends for now) in 2nd position (cross harp).
I've just discovered there are also 2nd and 3rd positions as well - so if you know about those, chime in. I read and think in notes, so the "tab" for harp I find to be a bit confusing and counterituitive. I also think in "generic" terms as "scale degrees" so that approach is better still (considering you can buy harps in many keys). So for example, I know hole 3 in cross harp is 1 blow, 3 draw, and b3 bent. So if you can list them similarly, that would be helpful. I've got an old blues harp, and some of the notes don't come out clearly - so I know what they are on this harp, but I don't think that's what they're *supposed* to be on a standard harp :-) TIA, Steve |
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#2
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I used to in high school, I was really into it for a while. I got pretty good at it, had the green bullet and all that jazz. Then one day, I just got really turned off by it. It's like something switched off in my head. Never got back into it.
When you draw in, to be able to bend you almost close your lips all the way and suck as hard as you can through the small opening. Its hard to explain an instrument when you can see how its played. |
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#3
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I've been playing for 35 years and I think it's just one of those things where you think in terms of positions and try not to over-analyze it too much. You can get alternate tuning harps (Lee Oskar makes some) and minor keys etc.
When I started playing it was all about Lee Oskar and Magic Dick....you just sorta listened and figured out what the were doing by rote. I'm guessin' you know that in cross harp style you buy the key of the harp that's the 4th to the root key you want to play in.....A harp for key of E.....F harp for key of C etc. you can get some cool stuff on the higher reeds by blowing and bending downwards...just use it sparingly or people will want to kill you as you burst their eardrums. I remember someone actually sued J Geils Band claiming Dick's solos caused them hearing damage...I can sorta believe it....though I still would've laughed at the suit in court. I'm a big fan of the Hohner Special Twenty harps because they have a plastic body and you can soak them to unclog the reeds without the body expanding like on Marine Bands. |
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#4
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buy this and it will save you alot trouble
after buying this and playing for 2 years I got pretty good just remember that it is a much harder instrument to learn then guitar you can not bullshit your way thru it - you must learn how to bend by breathing thru your diaphragm and that is not easy http://www.harpmaster.com/lessons.htm
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#5
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Excellent Triod! I believe Portnoy is the dude who played on Clapton's blues record a few years back....he covers a lot of ground.
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#6
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Quote:
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#7
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D and C harps are a good start. A and G will be too low for blues.
Starting points: Blow out = key of harp/folk harp playing (Dylan/Young) Blow in = blues key/playing
__________________
"Most people are other people. Their thoughts are someone elses opinions, their lives a mimicry, their passions a quotation." - Oscar Wilde What if every moment and every person were precious, part of a precious dream soon to vanish? |
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#8
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I just use water and I usually don't soak them at all during gigs. I always run warm water through them prior....smack them face down into a towel to get as much out as possible then blow and draw through them to get any water off all the reeds. If a reed gets stuck you might try putting the harp in some boiling water with a little vinegar for just a minute or so....it won't harm the plastic for that short amount of time.....just pull them out with tongs and let it cool before seeing if the reed has come unstuck. I've done this successfully many times.
Break 'em in slowly so you don't permanantly bend a reed where it won't come all the way back to pitch. I learned that the hard way by playing new harps at gigs in the early days.....when your adrenalin's pumpin at a gig you can toast a harp in no time. |
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#9
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Regarding those special twenties, do they sound different form the Marine Band ?
I'm guessing the plastic makes a difference....... |
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#10
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They do, but if your amping your harp and playing with any effects, it's very negligible.
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#11
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I find a G diatonic harp works well when playing a full step down on the guitar.
Also recommend a Hohner German made harp holder, < $20 or so at MF. |
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#12
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When I first started playing harp I played a diatonic 10 hole in the key of the song whether it was blues or not. I primarily played Neil Young type stuff so it was okay but I knew some blues licks but they never seemed right.
I was out busking and sounding slightly off when some hippie dude stopped by and chatted. He explained cross harp to me.When you play cross harp you end up with a flatted seventh(mixolydian mode) which when you include bending notes gives it the bluesy character we know from all of the old Blues records. (check out how many jazz players use the mixolydian mode in blues) Double crossing would give you a Dorian mode sound. That encounter was a revelation to me in my harp playing and guitar playing since at that time I was playing box position pentatonic leads. |
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#13
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Quote:
Hey, I wonder want the original poster wanted and if he got it yet?
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http://www.myspace.com/musicofanatic |
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#14
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I'd agree. probably about 70% of recorded blues harp is using an A harp in the Key of E, but I do think its easier to learn on a D harp..
To the OP, 3rd position is like the dorian mode- 4 draw is the key so a C hap would play a D minor blues. There are a number of other positions, Cahrlie Musselwhite does lots of playing in other positions, and "modern" players like Howard Levy push the diatonic harp further than ever before. |
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#15
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Most of Neil's stuff is in straight harp as is Dylan's. Not all, but most.
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