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#1
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Robert Quine : a personal meditation
I have always enjoyed Robert Quine's sound, and what he plays.
I fall into the: "I need this or that trap". Thinking about gear. I picked a guitarist who's work I'll was consistantly glad to hear and looked into that musicians gear. http://en.wikipedia.org/wiki/Robert_Quine Robert Quine My friend Jody Harris turned me on to Peavey stuff in the late '70s. Incredibly inexpensive, they sounded great, and the solid-state stuff could take a LOT of abuse. Most importantly, using the master volume for good distortion was an actual possibility, compared to the Fenders at that time. The only amp I ever used on the three Lou Reed albums I was on was a Peavey Bandit, upgraded with an EV speaker. The Peavey Classics—they're great-sounding. I recorded with them a lot in the early '90s, especially the Classic 20. http://elderly.com/fmic/items/FNASS-BLK-MPL.htm http://www.guitar.com.au/effects/iba...iles/ts808.jpg The venerable Peavey Bandit $299.99 street price http://www.peavey.com/products/browse.cfm/action/detail/item/116535/Bandit(R)%20112.cfm Analog Man Ibanez TS-9DX/808 Mods Usually Ships in 2 to 3 Business Days Our Price: $185.00 Analog Man Maxon OD-9/808 Mods Usually Ships in 2 to 3 Business Days Our Price: $185.00 you canbuy the new/modded pedal direct This I believe represents a modest set up at a great price. so now that I've got Robert Quines simple set up... now what? can I play like robert quine ? obviously not. I don't have his perspective or talent. What he was doing was clearly his style and sound , enough so that others paid him to deliver it to their projects and bands. and with the same gear could I accomplish the same thing that Robert Quine accomplished : establish a clear style versatile enough to fit in to a variety of musical environments and sell that stylistic/technical product? Not Yet. finally to come the the point ![]() I need to remember that when I start thinking about gear I need to start thinking about practicing and playing and stop playing "if only" I am not neither endorsing nor advocating use of these products or suggesting you shop at these places. Last edited by ikeaboy; 06-21-2009 at 07:43 PM. Reason: spelling grammar and diction |
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#2
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Thoughtful post.
Major Quine fan here, too. |
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#3
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I discovered Quine when Matthew Sweet's "Girlfriend" album came out only to find out that Quine's resume went way farther back. He became one of my major influences back when I played guitar, but he's still an influence on me to this day.
Btw one of Robert's guitars has been up for sale for some time now, I'm surprised no one has paid the reasonable $1600 for a piece of punk history.
__________________
Mon aéroglisseur est rempli d'anguilles.
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#4
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He was a one of a kind brilliant , funny, twisted gentleman (in the truest sense of the word) ...probably know more about jazz than any scholar I`ve met . He claimed to be too much of a hack to try to play it though .
His worth was much more than another bopper though . We bonded when he defiantly asked me who the greatest jazz guitarist ever was. He asked me in his "throw down the gauntlet" sneering lovable and innocent way. I thought and said ...."well, on any given day I might give a different answer but I`m gonna have to say Jimmy Raney " Little did I know that was his teacher and idol practically. Well ...his reply was ... "Have we talked about this before? " Nope. I said ... He then said something hilarious that`s unfortunately unfit to print here. We would then occasionally trade short chat at times after that (when he remembered me). Unfortunately he spent much of his last days since the death of his wife in a stupor. He would hang out (or hide) in the back of Rick Kelly`s and withdrew into such a deep depression that he decided to check out. Really sad because I found him to be a fascinating and beautiful guy. I never really did check out his playing much (on my to do list) ..but from the soul I encountered I`m sure it`s bad. |
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#5
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Quine is one of my idols. I saw him play with Richard Hell, and his playing was transcendent. Really. Glad to hear about his gear - thank you
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#6
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I think some of the best work of his career is on Lou Reed's "The Blue Mask" which is probably my favorite Lou Reed album (not counting the Velvet Underground).
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#7
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#8
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I usd to play in a band with his sister Caroline in Ohio a ways back....
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#9
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I really liked live in italy.
http://en.wikipedia.org/wiki/Live_in...Lou_Reed_album) the blue mask really kinda raised the "how wild and wooly" level, can uncle (lou) naughty get. that certainly raised the spike in the wall. I saw Richard Hell and the Voidoids at a club (Berkeley Square) in Berkeley Ca. eons ago and the set was inspired and sloppy but Mr. Quine held his part of the deal together. I am very glad to see that Mr. Hell is alive and well and is with us today. Another Cleveland band, Pere Ubu With the brilliant Allen Ravenstine had acouple of guitarists early on that really could work well together. some time when is do listen to early Pere Ubu it's like two guitars creating one HUGE single guitar part. |
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#10
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Pere Ubu was so cool!! I want to find a synthesist like Ravenstine, and make gorgeous noise.
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#11
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I was just listening to Dim Stars last night--Richard Hell with Thurston Moore, Steve Shelley, and Don Fleming. Quine plays on several of the tracks--amazing rhythm and lead parts. My favorite Voidoids track is the last one they did a few years before Quine's death, "Oh" on Hell's "Spurts" compilation. More classic interplay between Quine and Ivan Julian!
Another favorite of mine from those very early Pere Ubu singles is Peter Laughner. His playing in Rocket from the Tombs is also stunning. |
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#12
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i've got a mint copy of 'the blue mask' on vinyl, love that record too.
the only copy i have of 'live in italy' is a cassette, i need to dig it out and listen t it again, i remember it being very good though. i know immediately it was robert when i first heard 'matthew sweet- girlfriend' a great record as well! i never could get very good sounds out of peaveys but the bandits had there own thing and the later classics i agree are very good (especially for the money). |
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#13
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Quote:
__________________
I don't believe in pixie dust, but I believe in magic. |
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#14
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Possibly my favorite guitarist ever. Love how he could go from understated chords and fills to that crazy lead style. I got to check out his stuff at Carmine Guitars after they started sell it off.
He had multiple 52 RI teles, multiple deluxe reverb reissues, all kinds of pedals, everything from a really early Fuzz Factory to at least five DOD Buzzboxes, and lots of Deluxe Memoryman delays. |
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#15
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Quote:
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