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#1
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What pedals are better than your amp?
I've been sorting some trade offers I've been getting in the emporium and while I didn't realize it at first I think I've gotten a little more discriminating since I first joined here. I've been turning down several excellent pedals with very good reputations since I know now that they're not the direction I want to go in. I also attribute this tio the fact that I got a low wattage amp that I can turn up and get the power tubes cooking. here's the catch; I've also been turning down several distortions/ODs since I don't think they'll sound better than natural, hot power tubes.
So my question is, what pedals have you tried that don't just give a different flavor but improves on what the amp is already doing?
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PRS CU22 or Telecaster with a screaming Lil' Dawg 5 watt "Mutt" combo w/EV15L and lots of old glass, a Reinhardt 18 watt sitting on a Cordovox cabinet with a 1x8 Leslie inside, all while waiting for my Gibson J-45 to "open up". Life is good! |
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#2
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Honeybee Overdrive. I love how it warms up my Fender amps (Vibrolux, Superchamp). Not as open and transparent as a Timmy, but somehow warmer and more glowing. /C
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#3
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Cot50
Dirty Little Secret Screwdriver These are the ones that come to mind immediately.
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No man can lift a finger without being allowed to. Trust and be at peace. |
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#4
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I would say they are better than my amp, but thay add a unique tone:
Screwdriver HW 06 Eternity KOT v4 I'd put fuzz in this category. A good fuzz into a marshall flavored amp is a very nice thing. I like: Fulltone Soul-Bender Skreddy Mayo Dice Works Muff Diver Finale Hartman or Analogman NKT275
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Guitars: Gibson Les Paul Studio Premium Plus, Gibson Explorer Pro, Fender American Deluxe Strat, Carvin HSS Bolt Amps: Reinhardt 18, 95 Blues Deluxe, 70's Princeton, 1972 Champ, 1967 Bronco, 1963 Harmony 303A Pedals: Wah, fuzz, delay, etc Influences: Jimi, Hackett, Bolin, Bloomfield, Allman, Marino, Krieger, Pahinui |
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#5
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Huskerjohn, I see you also have a Reinhardt 18. I play a PRS which while different than your LP both are set neck,mahogany bodied, humbuckered guitars. Since we have somewhat similiar set ups would all of your votes for pedals still stand if you were playing your LP through your 18 watter?
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PRS CU22 or Telecaster with a screaming Lil' Dawg 5 watt "Mutt" combo w/EV15L and lots of old glass, a Reinhardt 18 watt sitting on a Cordovox cabinet with a 1x8 Leslie inside, all while waiting for my Gibson J-45 to "open up". Life is good! |
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#6
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Quote:
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#7
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I'll put it to you this way. I've played Gigs with a D.I. box and a Green Russian Big Muff. It is the perfect pedal to run into any clean amp (or P.A. for that matter)
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#8
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My Gristle King
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#9
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My two best pedals:
Kingsley Jester Mesa/Boogie V-Twin My two main amps: Fender '65 Super Reverb Reissue Gibson Goldtone GA-5 These two pedals are killer. They would probably add a lot to just about any amp. |
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#10
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The Keeley Katana.
Totally blew me away with how it makes everything sound better. Louder and fatter.
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Successful trades with: Davednconfused, Ryan, Ogradyboy, Wilsonprs, chapelizod, longgonedaddy, redtelephone, TREV FLINT, Cake Bakist, centsmin, minjason, jpervin, fr8_trane, john b, sleis, 808Man, mojohand, jay christopher, russv |
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#11
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Quote:
The Reinhardt by itself will do classic rock as good or better than any pedal with a les paul. But having these pedals really adds some texture to my tone when I need it. I do A/B my Reinhardt with a Fender amp, and my fender needs these pedals for my drive tone. But since my main amp is the Reinhardt, these pedals work very well with this amp. And fuzz into a Reinhardt is simply heavenly.
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Guitars: Gibson Les Paul Studio Premium Plus, Gibson Explorer Pro, Fender American Deluxe Strat, Carvin HSS Bolt Amps: Reinhardt 18, 95 Blues Deluxe, 70's Princeton, 1972 Champ, 1967 Bronco, 1963 Harmony 303A Pedals: Wah, fuzz, delay, etc Influences: Jimi, Hackett, Bolin, Bloomfield, Allman, Marino, Krieger, Pahinui |
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#12
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Klon
![]() But seriously, I've used a Klon in front of mulitple EL-84 and 6V6 amps and it just makes the amp shine that much more! I'm also digging the Durham Sex Drive and Mucho Boosto but more specifically, the SD and what it does as the the amp
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"Experience is something you get just after you need it." Smooth deals: JohnLutz, parkerbro, fugot, daveS, Eskimo_Joe, whoofnagle, longgonedaddy, Kborg, jim1jam, BDUNN, DonL, BluePowder, Keith C, Guy from Idaho, uberschall, elicious, Patch, Mojoman, 58strat, TheWarmth, Evilmusician80, BudLite, CALI68, H_V_C, what?, VintageToneGuy, Mike ODS50, Lolaviola, Matt F, CDaughtry, evanjackson, onemind, rul8agn, wondermoose, Stevoreen, Super Locrian, Streefest, houvin, EL-Dougie, Cotton, theraygun, Jay Strange, slopshoulders, Medication, erplander, Grady, austratman23, cooptone and many more that I have no record of. |
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#13
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Any good fuzz pedal. I love my amp but it doesn't sound like a fuzz pedal..or a delay..or a vibe..etc. That's why I use pedals.
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Strat-Paul-JazzBox Swart-Star BJFE-AM-CB-Boss-Tech21 |
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#14
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Well, some pedals add to the natural OD sound of my amp, but on their own, the only OD sound that I like better than the natural OD of my amp, comes from my Barber Direct Drive.
I have one of the older Fender Pro Jrs with the alnico speaker, made in USA, and the natural OD is just killer. With the volume at about 4-5, which is a nice breakup, most OD pedals actually kill the tone-lose mids, compress, etc. They add sustain and volume for sure, but its not nearly as nice as that amp opened all the way up. The Direct Drive does color the tone, but in a very, very good way!
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Gear: Martin D28, Warmoth 2xHB Tele, Epiphone Elitist Goldtop, Fender Strat, Fender Pro Junior, Fender Princeton Reverb, Blues Jr, Vox wah, Maxon, Boss, Ibanez, MXR and Barber Pedals. |
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#15
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Ghetto Stomp
Dirty Little Secret (although I gotta play it loud) Great platforms building on the core sound of my Allen Old Flame. They turn into it into a new amp. (People have said in the past that this amp takes stomp boxes really well. I just have never used any stomp boxes before, so now I know.) |
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