|
#1
|
|||
|
|||
|
Studio headphones
Can somebody suggest me some good 'soundproof' studio headphones so I can record my cranked vintage amps and still hear the backing tracks?
Thanks.
__________________
guitars: '65 Strat, '54 LP Goldtop, '71 LP, '73 hardtail Strat, '57 Dano U1, '37 National Duolian, '03 CS '60s NAMM Strat, '92 CS Tele/Esquire, '02 CS Nocaster, '06 Gretsch White Falcon amps: '66 Park 45, '66 Superbass, '71 50W Marshall, '66 BFSR, '64 AC30, 3x'66-ish AC50's, '71 Hiwatt DR504, Tweed 5E7 replica, '61 Maestro GA1-RT, '64 Silvertone 1482, '6? Twilighter/Magnatone 260R, '63 Watkins Dominator |
|
#2
|
|||
|
|||
|
I'm not sure any head phones are going to completely isolate you from a cranked amp that's in the same room as you but I bought my Sennheiser HD 280 Pro's for just that reason and they do a very good job. The best I've come across anyway.
Not to mention, they sound fantastic! BC
|
|
#3
|
|||
|
|||
|
A lot of people are touting the Sennheisers and I have no reason to doubt them, but I use Fostex T-50s because I know them and I hear exactly what I need to hear. They're about $100. Most studios I frequent use T-20s which are slightly cheaper but IMO not as true. T-50s also don't leak sound, while T-20s leak a little bit.
__________________
-- Michael "Never argue with someone whose opinion means nothing to you." - Nasr Eddin |
|
#4
|
|||
|
|||
|
There is a company that mods the kind of protective headphones people who work around jet aircraft wear, to reproduce audio. I once saw it on the web, but I don't remember where.
I don't know of any other closed headphone that will seal out the noise of a cranked amp. The drummer I most often hire in my studio uses a combination of earplugs and very loudly cranked headphones. Sounds weird, but it works for him.
__________________
"Yeah, well, you know, that's just, like, your opinion, man." - J.Lebowski |
|
#5
|
|||
|
|||
|
What about the Ultrasone HFI.650 ?
Any comments on these?? |
|
#6
|
|||
|
|||
|
I think EQ mag did a review of the Ultrasones a while back.
I noticed better mixes when I started using Senn K271 phones, not because they sound better, but they translate very well to the monitors I'm using. Their isolation is pretty good. I regularly record guitar amps (5 to 100 watts) with the K271 in a one room studio. |
|
#7
|
|||
|
|||
|
[QUOTE]Originally posted by LSchefman
[B]There is a company that mods the kind of protective headphones people who work around jet aircraft wear, to reproduce audio. I once saw it on the web, but I don't remember where. Are these the ones? http://www.extremeheadphones.com/ |
|
#8
|
|||
|
|||
|
I like the Sennheiser HD 280 too....
evt |
|
#9
|
|||
|
|||
|
How about just miking the speaker cab in a different room from where you're sitting?
__________________
-- Michael "Never argue with someone whose opinion means nothing to you." - Nasr Eddin |
|
#10
|
|||
|
|||
|
Sony 7506 is what I use and I find them great for protecting me from my drum kit!
|
|
#11
|
|||
|
|||
|
Ditto on the Sony 7506.
|
![]() |
| Thread Tools | |
| Display Modes | |
|
|