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#121
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Nice collection!!!
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Music has to breathe and sweat. You have to play it live Owner of CeriatoneForum.Com |
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#122
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Are you missing the DL4?
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Tir Na Nog Smooth transactions with: ggriffith, jimfog, onestop, rick towne, pedalfreak, dennis rayburn, sunsetamps, john lutz, tonefordays, welcometoashley, guitarb, curehardy, tweedcab, eatapeach, cestlamort, boleary2, Carl Muehlemeye, texzy, jbgordon, djbinzo, EL-Dougie, Major 9, and too many others to name! |
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#123
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Dang TZF. It keeps showing up and screaming at the top of its lungs for me to find one. Nice board.
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Boatload of Good Dealings: http://www.thegearpage.net/board/sho...0&postcount=50
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#124
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just came off today honestly, but I'm loving the superdelay and the smaller footprint it has. sound quality is better for sure. going to give it sometime till the honeymoon wears off with the superdelay to see i can live without it.
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#125
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__________________
"Use what talent you possess - the woods would be very silent if no birds sang except those that sang best." - Henry Van Dyke |
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#126
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I just have to ask where you guys got these patch cables? I've seen similar tips at Radio Shack, but the actual cable looks so professional.
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#127
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They look like hosas? but could be custom made w/ switchcraft jacks
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Guitars: Fender American Deluxe HSS Stratocaster; Fender American Telecaster; Alvarez MD-60C; Amps: Mesa/Boogie Lonestar Classic 2x12; Vox AC4TV Effects: Buddy Guy Crybaby; Musket Fuzz; PitchBlack; Zendrive; Fuzz Factory; SD-1; Barber Dirty Bomb; Memory Lane 2 |
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#128
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Hehe, sure I have some clips- Ive been busy working on beats for the band, so I haven't recorded anything in a few months, but over this last year since getting into effects I've recorded many of my new discoveries and 'firsts', and therefor these are all very 'rough' to say the least, but you can get an idea of what kinds of tones Im getting from the boards(take with a grain of salt!). I just got this configuration wired up for the first time and the MP201's getting more dialed in everyday, so in a few months or so I should really have things cookin'
![]() Here's a clip of the OC-2->Freqbox and maybe flange(polychorus if anything, didnt have the TZF for any of these clips), then the phaser is kicked on with 'env out' from the LPF for envelope phasing, and then some delay. I had just figured out the Freqbox tracking for the first time--by EQing out highs and boosting lows, I got the Freqbox tracking and sustaining very well; I also found that sticking a buffered pedal in between an octaver and the Freqbox also significantly aids in tracking, even if the buffered pedal is just sitting there bypassed!(i use a geb7) Something to think about for anyone else, especially bass players, dealing with Freqbox tracking issues: http://soundclick.com/share?songid=7671731 Here's one using the digital hog for the Octave tone; I made this clip the first night I'd MIDI sync'd the MP201 to Ableton and was just noodling around for a bit, and there is a description of the gear used in the link. I don't use the HOG for suboctaves as its just not as fat, but it came out pretty good nonetheless: http://soundclick.com/share?songid=7578121 HOG+some dirt+BassMurf+Polychorus+DM-2; using the hold/gliss function of the HOG to hold and slowly blend/smear notes into each other while turning knobs on the Polychorus and Delay; starts off slow but gets pretty erie starting around the 2min mark (imo anyway haha..) http://soundclick.com/share?songid=7663642 This clip was made during my first experiment with all my 'foogers plugged into each other with the tone being generated from the Carrier Out of the Ringmod into the Freqbox Audio in (no instrument plugged in); starts off just noise noodling, but I stumbled on a break beat pattern on the Bass Murf and 'mixed' it for a while by playing the sliders.. there's a description on the page that points out where certain sounds start (the 2nd half is most interesting, best part starting around 7min mark imo) http://soundclick.com/share?songid=7379572 Here are a few of the 'band' jamming; the first two are our first jams to new beats Im working on (just an 8bar section looping through most of the clips, myself on bass and another guy on keys/guitar) and the 3rd clip is just another one we've jammed on a few times, with 5 or 10minutes taken from each jam for the clips, so basically you're just hearing 'improv', but I liked how they worked out and we've been working these basic ideas into songs recently: http://soundclick.com/share?songid=7721411 http://soundclick.com/share?songid=7721396 http://soundclick.com/share?songid=7721374 'sweet cheeses'... haha.. made me laugh Quote:
![]() I just saw you board on this page- not too shabby! Can you tell me a little about the Doppleganger? Have you used the Moog or any other large CV phasers on the market to compare? Im much more interested in the '?' Flanger, and though I just got the TZF last week, Ive been toying with the idea of attempting to trade the TZF +$200 or so for a '?' Flanger... though to be honest, if EHX put out an XO Polychorus with an exp input, I'd probably snatch it up and end my flanger search there- I love my big box Polychorus. Anyway, you have some great pedals there and all the Lovetone pedals interest me- I'd love to hear your thoughts on the dopple
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#129
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Recent pic taken in Hawaii
![]() Edit: Added Pics ![]() ![]() ![]() ![]()
Last edited by zachman; 10-01-2009 at 05:05 AM. |
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#130
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Nice-a pic of the full rig in action. Is that a Bandmaster Reverb head on top of the rack?
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#131
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Thanks... No, it's a '65 Super Reverb
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#132
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__________________
Reynolds 501, Ledford British Classic, Couple of Valvetones, Fender 67 Vibrochamp. Way to many cab's, pedals and custom built guitars to play this badly. |
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#133
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SEXY/CLASSY. Well done. I want to find a nice suitcase to use as my 'on the go' board, for jam sessions and what not
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#134
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Quote:
Thanks man. But I've developed a strange new form of GAS because of these pedalboards. Now I can't stop buying old school suitcases and briefcases that I find in thrift stores
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#135
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Quote:
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