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  #1  
Old 02-02-2010, 05:47 PM
severinsteel severinsteel is offline
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The shining

Best horror film of all time in my opinion. Also exceptionally deep as well. Best horror score (Bartok and Penderecki). Great Steven King work, but Kubrick took it to a whole new level. Any fans?
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Old 02-02-2010, 05:48 PM
bopplayer bopplayer is offline
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Steven King hated the film adaptation.
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Old 02-02-2010, 05:51 PM
amigo30 amigo30 is offline
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I like you, Lloyd. I always liked you. You were always the best of them.
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  #4  
Old 02-02-2010, 06:03 PM
Pally Pally is offline
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Not scary enough. Did you read the book?
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Old 02-02-2010, 06:08 PM
furry furry is offline
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one of the only movies that was actually better than the book--and that includes the Godfather.

certainly in the top 5 horror movies of all time, along with Rosemary's Baby, The Birds, Exorcist and a few others.
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  #6  
Old 02-02-2010, 07:01 PM
jaydub69 jaydub69 is offline
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So was he the reincarnation of the last dude?
I forget what was the history of the hotel.
How did that relate to him- "You've always been the caretaker..."

Does the book explain this in more detail?

-john
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Old 02-02-2010, 07:19 PM
Cody Cody is offline
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Quote:
Originally Posted by bopplayer View Post
Steven King hated the film adaptation.
He would know - he directed "Maximum Overdrive".

That sure showed Kubrick how it's done.



...
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  #8  
Old 02-02-2010, 07:20 PM
Frankee Frankee is offline
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All around creepy vibe to the movie......makes you want to shower it off afterwards.

That's good film-making.
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  #9  
Old 02-02-2010, 07:26 PM
Dr. Tweedbucket Dr. Tweedbucket is offline
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Smile

That was a great movie! Perfect setting for pure craziness!
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Old 02-02-2010, 07:27 PM
NB_Terry NB_Terry is online now
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I love that movie.

The book is great in it's own way as well. It definitely has better character development than the movie.
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  #11  
Old 02-02-2010, 07:30 PM
The Last Rebel The Last Rebel is offline
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Quote:
Originally Posted by jaydub69 View Post
So was he the reincarnation of the last dude?
I forget what was the history of the hotel.
How did that relate to him- "You've always been the caretaker..."

Does the book explain this in more detail?

-john
Actually, regarding the reasons of it being haunted, the book gives almost no information. In the book Jack finds out the history of the hotel, how it had changed hands several times, its less-than-stellar history with one of its past owners having been a mobster, or something along those lines. The book makes it extremely obvious that the hotel, and Jack, is possessed by some supernatural force and that it's feeding off of Jack, but it's never explained why the hotel is haunted.

Lloyd is The Overlook, in the simplest terms posible. He's how whatever is in the hotel talks to Jack and the previous caretaker.
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Old 02-02-2010, 07:35 PM
shakeshakeshake shakeshakeshake is offline
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Quote:
Originally Posted by Cody View Post
He would know - he directed "Maximum Overdrive".

That sure showed Kubrick how it's done.



...

the shining needed waaaaaaay more ac/dc
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  #13  
Old 02-02-2010, 07:35 PM
ethandt ethandt is offline
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Isn't the hotel built on old Indian burial ground? I seem to remember that's why it is haunted.

I like the movie much better than the book. But then again, I am not a big fan of Stephen King's writing. I thought the movie was scary as hell, and Kubrick is one of the all time masters.
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  #14  
Old 02-02-2010, 07:35 PM
severinsteel severinsteel is offline
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When Jack and Wendy are getting the tour at the beginning of the movie, it is mentioned that the hotel was built on an indian burial ground. I think that would explain some of the supernatural element. Also, mirrors are used in a lot of the scenes involving jack, as well as repeated phrases like at the bar scenes. There is a theme of duality for sure.
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  #15  
Old 02-02-2010, 07:36 PM
iamdavea iamdavea is offline
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There were extremely creepy parts of the book that didn't end up in the film. The film is OK, but it also demonstrates Kubrick's over-reliance on long Steadicam shots. For a supposed master director, Kubrick was limited in his visual strategies. Kubrick and Nicholson had previously discussed doing a film about Napoleon together, but Nicholson was so put off by Kubrick's near sadistic manipulation/direction of Shelley Duvall, that he vowed never to work with him again.
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