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#136
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All these manufactures make great amps. You want to talk about specific attributes you like about each amp by each manufacture, I would consider that a good post and something everyone benefits from. I can talk about some beautiful PTP amps which sucked tonally but would never do that here as it is my opinion and not fact and I would not want to harm any builder. The fact is they are all good and none will appeal to all nor is any a better value for everyone as it may not deliver the tones and feel each one of us likes. I have no problem with you at all Dave but I don't like the delivery at times. You are certainly entitled so my bad for slagging you.
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Steve Snider Last edited by Steve Snider; 07-13-2010 at 11:08 PM. |
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#137
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What an interesting thread. All this money talk goes way over my head but one interesting fact I've encountered is that when there's enough amps in circulation (because GAS wouldn't be GAS without a seller) people tend to stop buying new. When they do that, depending on how long the stock waits, they decline in price (all at once one would assume if we're talking about the built up stock from a decline in new sales) and therefor bring the market price down with it...
So in the end, true prices usually reflect themselves... in my eyes, anyway. Scarcity is what drives up prices and also makes us GAS for it in the first place. A cruel and vicious cycle (that sounds, looks, plays, smells and feels awesome!!!).
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Guitars: Danocaster Jazzmaster, Fender Jazzmaster, Gibson CS-339 and Maton EBG808. Amps: Matamp 1224 MKii, Matamp First Lady and Swart Atomic Space Tone. Effects: Analogman, Boss, Digitech, Dr Scientist, EHX, Kingsley, Line6, Moog, Tym and Zvex. |
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#138
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Not everyone in the arts - entertainment industry - does it for the money. I'm sure some amp / guitar builders fall into the same category too. Leo Fender, Jim Marshall, and Randy Smith didn't start their biz in a big factory. I've yet to see Fuchs or Boogie making the $99 practice amp either... I hope I never do either, but I wouldn't bash 'em if they did... it's THEIR business. BTW...Who's not got blown away with a great player... armed with a "production amp and guitar...pedal too" and they play their ass off.
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#139
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Sorry for not replying to you sooner.... You said these were D-style amps in your post. I was unable hear your few raves about some TR amps because your negative comments were drowning them out. And does it really matter what some builders charge unless you're the one spending the money? Perhaps my Mercedes/Honda analogy was not the best but let's compare it to watches... Rolex-Omega-Citizen-Timex-Casio-Swatch..... They all keep time...right? Yet do guys who buy a Rolex or Omega get slammed for dropping several K on one? |
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#140
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I once played a Two-Rock Jade (their one and only all-PCB amp), and liked it a bunch.
I think many guys like Gary and I (for starters) have made the pxb/non pcb differences nebulous at this point. A well designed PCB with heavy traces, thick copper, and proper layout will do just fine folks. Dave: Tag always defaults to a different argument, when he's not winning the one he jumped into....it's like when a magician uses misdirection to pull off an impossible trick..
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"Andy, don't let people get under your skin about cloning anything....just tell them to read the part of the Paul Bigsby book about Leo Fender...and it won't bug you anymore one bit..." Hartley Peavey |
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#141
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[QUOTE=Dave_C;8681745]
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#142
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I agree it can be a fine line between harming the business of good, hard-working people and also sharing useful information. I guess what I'm saying is that TGP wouldn't be a very informative resource if nobody ever talked cons. How many times have we read about folks buying into the hype about product XYZ, only to find out later that it was totally unsuitable for them because of something that the people hyping it failed to mention for fear of pissing off the guy that made it for them? Dave |
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#143
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#144
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![]() Another way to look at it. If some of those incredibly sloppy, break-almost-every-layout-rule-in-the-book PTP Two-Rock and Bruno amps we've all seen gutshots of can sound REALLY great, what principle of electronics dictates that a neat, clean, high quality PCB layout with the same high quality components will NOT sound great? Quote:
![]() Andy, thanks for taking all this pricing talk for what it is and not getting too hot about it. I know what it takes to do what you do and provide the level of support you do...and to do it all in a state like NJ! I think one point I missed earlier is that you and Two-Rock are both fully staffed, quick delivery, high volume (at least for boutique stuff) builders with extensive support and staffing overhead. Your prices are higher than the smaller builders who don't have all that overhead (makes sense) and TR's prices are higher yet because they layer the PTP labor on top of all *that* (makes sense). |
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#145
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Well, I still have some trouble the $10K level stuff, but hey, who am I to have an opinion? However, I think that's the whole purpose of having these discussions. Personally, I learn something new every time and almost always adjust a knob on my amp or in my head as a result. It's called growing.
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#146
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Fine, but I am not busting yours. PCB is inferior tonally IMO.
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#147
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[QUOTE=FlyingVBlues;8679887]
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- Tom "Everyone brings something unique and valuable to this Forum and our community" - Frankenstrat |
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#148
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Yup! Just look at Dr Z. Has a shop with employess and..er...Wait a minute...His amps are still priced reasonably relatively speaking. Hmmm.
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I'm not sayin'...I'm just sayin'! |
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#149
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Pricing a great amp too low, can cause an endless backlog of orders. Take the Xits-10 for example. They were so good and so relatively cheap when introduced, that they got too many orders. The choices are too either raise the price to the point where the demand decreases to the point where production can bear, or to increase the production to meet the demand. Or do nothing, and reach a point where people will no longer wait for an amp. If an amp was priced too high then nobody would buy it. That's why it's not a fault of a manufacture who charges a very high price for an amp. It may just be the "fault" of the buyer, who pays that much.
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#150
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You're dead wrong, but you're entitled to your beliefs.
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