Become a Supporting Member


Go Back   The Gear Page > Instruments > Guitars in General

Reply
 
Thread Tools Display Modes
  #1  
Old 01-11-2011, 12:01 AM
Demioblue Demioblue is offline
Senior Member
 
Join Date: Aug 2007
Location: Singapore
Posts: 1,000
Raw Vintage Springs. Wow...

I tried the saddles here: http://www.thegearpage.net/board/sho...d.php?t=781332

I also just installed the Raw Vintage springs in 3 different guitars. The strat, my Silhouette Special, and a JPX 7 string with floating trem.

They are definately low tension springs, as 4 springs equated to almost but not quite the strength of the older 3, with some slight slack more. With a 5th spring, the tension seemed to be just a bit more than the previous 3. (They actually recommend you use all 5)

These had a pretty huge difference in tone too, but not entirely positive in all cases.

In the strat, the "bounce" seemed to be lost. The tone was tighter, and more "strong". Not exactly what I was after. The single coils I had in this were ToneRider Surfaris, which were nice and tight to begin with. Now the tones seemed to be beefed up a bit, but I wanted that "bounce" with the older springs. I installed the saddles in this guitar for sometime before installing the springs, so I know which contributes what.

But in the Silo Spec, where I'm running DiMarzio Cruisers, the tones tightened up very nicely, and that's where they worked well. The tones were sweeter, and they actually didn't sound as sterile as before (though not that I had a problem with this in the past, just that it's nicer now). They're also going in my other Silo Spec which is being assembled now after a respray job. It'll be interesting how those will work with the brass block instead of this one's steel block.

But the most interesting one was in the 7 string, where the tones not only tightened up, but beefed up quite nicely too! The 5 springs with the slightly increased tension, also made the trem move less when I did a 1 & half step bend. The trem was a lot more stable in tuning, as the bridge didn't move much, but of course, whammy abuse was still an issue, but that's no biggie for me. The clean tones are extremely sweeter than before, and is an absolute joy to play clean. Imagine that. A JPX7 played clean most of the time. Sort of an oxymoron. Hahaha!!!

This is pretty good stuff, to say the least, just that you'd have to take into account your current pickup's characteristics. Sustain was more prominent in all 3 cases, and the decay was not as long as the previous set, meaning you had more usable tone time length.
Reply With Quote
  #2  
Old 01-11-2011, 05:37 AM
Phoebe Phoebe is offline
Banned
 
Join Date: Dec 2008
Location: Cape Cod, Massachusetts
Posts: 1,743
That's great.
Reply With Quote
  #3  
Old 01-11-2011, 07:39 AM
marsos52 marsos52 is offline
Senior Member
 
Join Date: Jul 2008
Location: south jersey
Posts: 1,724
when i changed my trem springs to the raw vintage (used all 5 springs)
i found the guitar got louder..and as you say tighter,,but that went away after i lowered the pickups a bit..then the bounce and everything fell into place..

i just love them springs........
__________________
fender custom shop 'CUSTOM CLASSIC' strats(1) alder w/maple neck raw vintage trem springs (2) ash w/rosewood,maple neck raw vintage trem springs,,, germino lead 55 w/ germino 2x12 closed back cab,,vintage sound amp blackface pro-reverb
pedaltrain. roger mayer vision wah..turbo tuner..klon..timmy..retroman kopy kat..fuel tank p/s.....evidence melody cables and kimber speakercables...pickboy vintage classic picks
Reply With Quote
Reply

Thread Tools
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump


All times are GMT -6. The time now is 05:39 AM.


Powered by vBulletin® Version 3.8.5
Copyright ©2000 - 2013, Jelsoft Enterprises Ltd.
Copyright ©1999-2013, The Gear Page, LLC, Brian Scherzer
All rights reserved.
Header Graphic by NetThink 21