Become a Supporting Member


Go Back   The Gear Page > The Gear > Effects, Pedals, Strings & Things

Reply
 
Thread Tools Display Modes
  #1  
Old 05-04-2011, 06:22 PM
Magi Magi is offline
Member
 
Join Date: Sep 2010
Posts: 82
Question A Warm Delay that can cut through the mix?????

I'm having a problem choosing which delay pedal I want. I've looked into the Skreddy Echo, the Maxon AD999, the Malekko 616 and have even considered the Strymon pedals. Basically, I like the warmth of an Analog sound, but I need something that will cut through the mix as well as cut through in a live band situation.

I would like to get an ambient vibe when I feel like it as well (whether with the delay on its own, or running it into a reverb pedal like the Wet).

Before you answer, take into consideration:

I realize that digital delays usually cut through better than analog (even though I'm hearing the El Capistan doesn't cut through all that great). And I actually I don't care whether it's analog, digital, or digital tape simulation; as long as its not too sterile and high fi sounding, can cut through and can do a cool ambient thing if need be..

FYI. I was almost sold on the Skreddy Echo, but I thought something was missing when I listened to the youtube videos. Then I realized it was cutting the highs and lows.. Maybe it's just the poor recording and compressed video sound.. hmmmmm
Reply With Quote
  #2  
Old 05-04-2011, 06:35 PM
WolfmansBrother WolfmansBrother is offline
Supporting Member
 
Join Date: Nov 2009
Location: Upstate NY
Posts: 785
I use an ARDX20 and I love the way the repeats sit in a live mix. It's not too bright and not too dark. I can't wait to pick up an Amazeo.
__________________
Good Dealings With: Mapleneck, GAT, ryantorres, tbone666, buddy5150, theemarkmiller, SteveGaines, Frank1959, BMF Effects, fellsilver, yucatown, kingofengel09, bassethound, plunderpot, your name here, analogsystem, Echoes, psyandy, jmiller475, campfirehero, Agitator, grygrx, g-fry195, Stravinsky, bradam99, Jimmy P, Mari, phishintrip007, KSDS, tapeworm, Fred_, H.P. Lovecraft, Blueswail, and many, many others

Last edited by WolfmansBrother; 05-04-2011 at 06:48 PM.
Reply With Quote
  #3  
Old 05-04-2011, 06:45 PM
sfarnell sfarnell is offline
Supporting Member
 
Join Date: Apr 2007
Location: No. SF Bay Area, California
Posts: 3,748
My Carbon Copy is a very warm delay and it seems to cut through the mix really well.
Reply With Quote
  #4  
Old 05-04-2011, 06:50 PM
Steve73 Steve73 is offline
Senior Member
 
Join Date: Apr 2008
Location: Alberta, Canada
Posts: 3,507
My Damage Control Timeline does that for me. It is a digital delay pedal but it has an analog dry path. Very warm, but still digital and it sits very nice in the mix.
__________________
Great deals with: arvee72, Bassomatic, Burst59, erplander, ponpon, Tangalang1, harryjmic, that_brianm_guy, blueprint, flantrax, devnulljp, DustBowl and lots more!

Quote:
Originally Posted by doctorx View Post
I told her that if she didn't have gravy next year, I wasn't coming.
Reply With Quote
  #5  
Old 05-04-2011, 07:13 PM
Magi Magi is offline
Member
 
Join Date: Sep 2010
Posts: 82
Quote:
Originally Posted by WolfmansBrother View Post
I use an ARDX20 and I love the way the repeats sit in a live mix. It's not too bright and not too dark. I can't wait to pick up an Amazeo.
Really? I really like Analogman's pedals. But, that was one of the first delays I looked into, and someone who owned it claimed they sold it because it got lost in the mix.. I understand a YMMV issue. But cutting through seems like it should be more black and white..
Reply With Quote
  #6  
Old 05-04-2011, 07:38 PM
DraggAmps DraggAmps is offline
Supporting Member
 
Join Date: Jun 2008
Location: Las Vegas, NV
Posts: 2,846
The El Capistan has no trouble cutting through the mix if you ask me. It cuts through a lot easier than the Skreddy Echo, if you ask me, because the Skreddy is a very dirty and spacey delay with murky repeats. Of course, if you dial the El Cap in with a bunch of warble and tape age and reverb and tape crinkle, etc, and make it very dirty, it will naturally become less and less clear in a mix. But you can set it up very clean, as a nicely functioning tape machine, and it will cut through just as well as anything. It just sounds like a very natural, warm echo with plenty of clarity. The tape age knob can give you as much warmth as you want if you feel it has TOO much clarity. I like it because you really have to lay on the warble and age and crinkle and all that stuff very thick to get it to be REALLY dirty to where it's too unclear for a mix. For the most part, you can actual still hear the crinkle and warble with great clarity. It's truly an exceptional delay, the best digital delay I've used. It's right up there with my other favorite delay, which is also warm but clear, the Diamond ML2.
__________________
Good transactions (recently) with: redfro, staypuff54, shral, Pharaoh, Indiana Tones, kochster3813, cjkbug, Bigdrive501, miffa, Cosmogang, Guitarbrett, Moods, gratefulgrafford, Last Nerve, Simon, Last, Lumpy's Tone Shop, Lava Cable, SlowJoeCrow, CHyde, matthewh133, trishoot, Boleary2, tri99er, DGTCrazy, zuel69, harritone.
Reply With Quote
  #7  
Old 05-04-2011, 07:41 PM
WolfmansBrother WolfmansBrother is offline
Supporting Member
 
Join Date: Nov 2009
Location: Upstate NY
Posts: 785
Quote:
Originally Posted by Magi View Post
Really? I really like Analogman's pedals. But, that was one of the first delays I looked into, and someone who owned it claimed they sold it because it got lost in the mix.. I understand a YMMV issue. But cutting through seems like it should be more black and white..
I would agree with the "YMMV" statement. Different strokes for different folks...

Perception of performance certainly depends on context and application. I also own a WET reverb and I tend to use delay in a similar fashion (warm ambient repeats). I tend to run the delay level below noon and have no problem hearing the repeats. However, it's worth mentioning that I've bumped the WET off the board since receiving the ARDX20, because I've been loving the "reverby" sounds that the ARDX20 produces and don't feel the need to add the WET for most applications. Plus I find that running delay into reverb usually leads to a very washy sound - cool for ambient stuff, but definitely not a setup that helps a delay cut through the mix.
__________________
Good Dealings With: Mapleneck, GAT, ryantorres, tbone666, buddy5150, theemarkmiller, SteveGaines, Frank1959, BMF Effects, fellsilver, yucatown, kingofengel09, bassethound, plunderpot, your name here, analogsystem, Echoes, psyandy, jmiller475, campfirehero, Agitator, grygrx, g-fry195, Stravinsky, bradam99, Jimmy P, Mari, phishintrip007, KSDS, tapeworm, Fred_, H.P. Lovecraft, Blueswail, and many, many others
Reply With Quote
  #8  
Old 05-04-2011, 07:49 PM
Magi Magi is offline
Member
 
Join Date: Sep 2010
Posts: 82
^^^^^ Thanks for that input. It was very particular and that always helps!! The ambient application is different than cutting through though. Generally if I want an amibient vibe, I'm not going to have drums and bass going full bore where I would need to cut through. I just wanted people to know that I would be using the delay for that situation as well.
Reply With Quote
  #9  
Old 05-04-2011, 09:51 PM
jboyjams jboyjams is offline
Supporting Member
 
Join Date: Aug 2010
Location: Northern KY - Cincinnati area
Posts: 2,326
I like a warm tone but always make sure to cut live - I play in a 3-piece band and a 4 piece with 2 guitars too.

I have a Boss DM-2 that sounds great to me - very full and warm and I don't have any problems being heard - the delay is in front of my Marshall (last in the chain) and comes thru well in even with a variety of dirt. I don't use it much but when I do it's mostly for reverb-like slap-back. Other settings sound good but I don't have much need for it.
__________________
Guitars: 62 Strat RI, Les Paul Standard, ES-335, 85 Squier Tele, Guild D55
Amps: Marshall Super 100JH, 1987x, JMP 2204, 4502 combo, Fender 59 Bassman LTD, Champ (79), Fender 75
Effects: Picture Wah, MDV-2, Sunface, KOT, 57 Tweed, KR Boost, ARDX20
Good Deals With: jbussiere, ultar, Rob DiStefano, rickc007, sutherland, jerrydog, dswtele, Monkey Boy, mario, cr8z4life, Shiningtime7, VintageToneGuy, Wombat, Paul C, and many others
Reply With Quote
  #10  
Old 05-04-2011, 09:52 PM
justnick justnick is offline
Gold Supporting Member
 
Join Date: Dec 2010
Location: Chicago, IL
Posts: 1,500
Catalinbread Montavillian. It's special. And can cut through, but also won't clutter--unless you want it to.

Here's my demo...

http://vimeo.com/21570030
__________________
Just Nick's gear demo vids (for Rock n Roll Vintage):
http://www.youtube.com/user/JustNickMusic

Nick Jaffe Music/info: http://nickjaffe.com
Reply With Quote
  #11  
Old 05-04-2011, 10:02 PM
Paulo Grua Paulo Grua is offline
Senior Member
 
Join Date: Mar 2008
Location: Rio de Janeiro
Posts: 794
I have a Carbon Copy, a Dm-2 and a De-7, and have had a bunch of others. The De-7 is the go-to echo when I want the repeat to be clear and in-your-face, even for those The Edge moments...
__________________
"I'll play it first, then tell you what it is".
http://www.zoe3.com.br
http://zoe3.bandcamp.com/
Reply With Quote
  #12  
Old 05-04-2011, 10:08 PM
-DC/AC- -DC/AC- is offline
Supporting Member
 
Join Date: Nov 2007
Posts: 376
I would definately consider the Retro-Sonic Analog Delay. It is a true analog delay but it has fairly bright repeats (not too bright) that really cut through the mix when you want them too. The addition of a tone control also helps a lot with this.
Reply With Quote
  #13  
Old 05-04-2011, 10:20 PM
kurge71 kurge71 is offline
Supporting Member
 
Join Date: Jun 2010
Posts: 68
Moogerfooger delay - warm, lush, versatile, excellent tone - expensive yes, but well worth the price of admission
Reply With Quote
  #14  
Old 05-04-2011, 10:31 PM
Rick Towne Rick Towne is online now
Silver Supporting Member
 
Join Date: Jan 2004
Location: Woodland Hills CA
Posts: 1,109
This is the one.....

Quote:
Originally Posted by -DC/AC- View Post
I would definately consider the Retro-Sonic Analog Delay. It is a true analog delay but it has fairly bright repeats (not too bright) that really cut through the mix when you want them too. The addition of a tone control also helps a lot with this.

The tone control makes the difference.
Reply With Quote
  #15  
Old 05-04-2011, 10:32 PM
Eliguitar Eliguitar is offline
Supporting Member
 
Join Date: Dec 2005
Location: NYC
Posts: 524
DE-7 in echo mode might work and its cheap
__________________
Eli Menezes
www.facebook.com/EliMenezes

Great deals with tons of TGP'ers! Plenty of references available.
Reply With Quote
Reply

Thread Tools
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump


All times are GMT -6. The time now is 08:34 PM.


Powered by vBulletin® Version 3.8.5
Copyright ©2000 - 2013, Jelsoft Enterprises Ltd.
Copyright ©1999-2013, The Gear Page, LLC, Brian Scherzer
All rights reserved.
Header Graphic by NetThink 21