|
#46
|
|||
|
|||
|
Quote:
|
|
#47
|
||||
|
||||
|
#48
|
||||
|
||||
|
#49
|
|||
|
|||
|
The important thing is that in June 2011 "All Will Change". or not...
|
|
#50
|
||||
|
||||
|
They should have called it the Effects Rapture.
|
|
#51
|
|||
|
|||
|
If Digitech continues development of new products in the same direction as it's been for the past decade, it will be a box with one pedal, inputs & outputs, an effect level knob and a bypass switch. No complicated parameters, in fact no programming at all. MIDI? You've got to be joking! It has to be so simple even an untrained monkey can operate it, because according to Digitech's line of thinking, that's exactly what guitarists are.
|
|
#52
|
|||
|
|||
|
Quote:
__________________
I am playing all the right notes, but not necessarily in the right order. --Eric Morecambe (as spoken to conductor André Previn in a tv sketch) |
|
#53
|
|||
|
|||
|
Quote:
"Our musIQ SmartStrum™ technology analyzes guitar strumming in order to extract patterns - a technology that is making it possible for guitar players to set up complex delay patterns in seconds simply by strumming their guitar!" Hmmm.... |
|
#54
|
|||
|
|||
|
Quote:
|
|
#55
|
|||
|
|||
|
Quote:
The domain name of the new website (nextgen) as well as the little message at the end of the video ( all will change ) would seem to indicate a completely new modeler. But all the other stuff I mentioned seems to point to just effects or just an interface change. I am just confused. I thought L6 was the King of tease with their marketing, but this is even more vague ..
__________________
This section reserved for a pithy statement and/or a list of gear no one will read |
|
#56
|
|||
|
|||
|
First time I've heard of MusIQ™ technology. Only wish everyone would stop with the "very clever" names, they are CheeSI™. "POD HD" suddenly starts to sound pretty good.
|
|
#57
|
|||
|
|||
|
Funny how Digitech seems to have parallel market lines...one with all the brains and a cutesy fiddly package, and another with the same (very nice) brains in a package with all the standard control conventions and connectivity for the workin' pro. Does it really all come down to buttons and jacks?
__________________
Tone is in Aisle 4. |
|
#58
|
|||
|
|||
|
any news?
__________________
good transactions with: frankencat, shesky, mfolet, mrkz1974, tradarama. |
|
#59
|
|||
|
|||
|
I'd call that package optimal. Not arguing, just notice the all metal rugged construction even on RP250, XLR jacks on RP350 and up, totally amazing intuitive grid-based operation, huge readable (and admittedly not pretty, but we're talking pro functionality not beauty) display, etc. RP1000 I'd venture to say is almost a masterpiece in terms of design. That's "affordable pro quality" in my book
Well done Digitech. I bet a lot of people wish Line6 made $150 and $200 price point "equivalent" (to RP255/RP355) products of the HD line.
|
|
#60
|
|||
|
|||
|
^^ Some truth in that. Even my ancient RP300 (and my kid's BP50 come to think of it) was made with a stout metal package and stomps that work to this day...very nice machinery. The rear-panel connectivity was more my thinking. The RP 1000 is indeed very well equipped, even with two FX loops, one for stomp line level, and one for rack line levels...very nice.
The fiddly part comes in the junior versions that feature nice DI jacks and USB, but less connectivity of other sorts. For stage and studio I truly miss those things. One feature I particularly miss is MIDI jacks, which only show up on the GSP1101. The old GNX series had them, and it's an incredibly useful feature onstage...it allows you to run the stompboard any way you want far beyond what the built-in switching and exp pedals allow. If you guys haven't tried running a multi-FX stomp board with something like an FCB1010, you really should give it a whirl...really opens up the board and the stage functionality becomes dirt-simple and very powerful. But all that said, they've done some terrific work over the years, and I too am a huge fan of the parameter grid that they've stuck with since the early RP days. Learn one, you learned 'em all. Very intuitive too, once you understand what they do. And the coolest part is that you get the top-of-the-line tones no matter which price point you pick. --Ray
__________________
Tone is in Aisle 4. |
![]() |
| Thread Tools | |
| Display Modes | |
|
|