|
#1
|
|||
|
|||
|
The Cost of a Hit...
|
|
#2
|
||||
|
||||
|
so me on my macbook making music on garageband that came on my computer putting it on bandcamp for free with a pay what you want thing like Radiohead isn't going to make me a hit is what you're saying. i can live with that.
__________________
Electrics: '65 Guild Starfire VI, '76 Gibson Explorer LE, '79 Rickenbacker 360-12, '96 Fender Clapton Strat, '02 Guild Blues 90 Fleming CS Proto, '08 Rick Kelly Bowery Pine Tele, '11 Gibson LP Studio Baritone. Bass: '78 Yamaha BB1100S. Amps: '63 Fender 6G10 Harvard, '66 Fender Pro Reverb, '69 Fender Bronco, '11 D-Lab EMI. Acoustics: '46 Gibson J45, '69 Guild F312NT, '72 Martin D-28S, '73 Guild F30R. Current Pedalboard Link. Music Blog: http://thegenerationofmusic.wordpress.com/ |
|
#3
|
|||
|
|||
|
Thanks for the article.
It seems a shame that artists get so much credit for songs when they play such a small part. It's a bit like getting duped. I would like to think of my favorite songs being written by Robert and Jimmy deep in the cotswolds after enjoying a big fatty.
__________________
- I have no money, but man have I got tone. - Anything I say is IMHO. |
|
#4
|
|||
|
|||
|
A hit is a hit is a hit. 2 3 4. repeat.
|
|
#5
|
|||
|
|||
|
So Rebecca Black is really a rebel who stuck it to the Man.
|
|
#6
|
|||
|
|||
|
Quote:
|
|
#7
|
|||
|
|||
|
20K dollar producer?!?!! Yeah right
__________________
Go Spurs. marcsauceda.com |
|
#8
|
|||
|
|||
|
Or in the case of kings of leon...it costs you your band...
__________________
Good deals with: fonesy, davesemach, gearaholic, cmnyc, Fenderbigot, RH |
|
#9
|
|||
|
|||
|
I'm in this business. These figures aren't accurate. Doesn't cost that much.
|
|
#10
|
|||
|
|||
|
thats a relief!
__________________
Go Spurs. marcsauceda.com |
|
#11
|
|||
|
|||
|
Quote:
|
|
#12
|
|||
|
|||
|
This only applies to manufactured pop music made for a specific market. Lots of artists get big with good old fashioned sweat equity and talent.
__________________
I love vintage Harmony's Last edited by Dave2512; 08-04-2011 at 03:12 PM. |
|
#13
|
|||
|
|||
|
I know a girl who was a writer in one of those camps. A songwriter doesn't get paid to do a songwriting session. It's an investment of time on their part in hopes of landing a song with a popular artist. Their publishing is their payment. A hit song is worth a FORTUNE!
Plus, there aren't hardly any studios charging $2500 per day. Lucky to get $1500 per day these days for the top studios. In pop music, the producer generally is the "songwriter" which means they create the music track. Additionally there are "topline" writers which basically means the lyrics and melody. A producer will get paid a fee for the master recording if it's used on the album. |
|
#14
|
|||
|
|||
|
But even artists who put in the hard work and have the talent eventually need a label behind them for promotion and marketing with connections to Clear Channel and Live Nation/Ticketmaster to really get "big". At some point there almost always has to be a large infusion of money to take people from local/regional to national success.
|
|
#15
|
|||
|
|||
|
Well....I think this is a small segment that spend this kind of money - not wise money spent business speaking...especially when you can do most of your viral marketing on the web for free basically...
The whole landscape is changing...kinda dumd really to spending that kind of money...IMO
__________________
Lava Man www.lavacable.com Improving Tone One Cable At a Time... http://www.youtube.com/watch?v=EZbW4...ature=youtu.be |
![]() |
| Thread Tools | |
| Display Modes | |
|
|