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#1
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Distortion pedal? (White Stripes guitar tone)
Howdy!
I am sure that this has been debated quite a lot, but maybe I can still get some advice here. I need to get a nasty (not at tall fizzy or trebly though) distortion when I play in my guitar-drum duo set. Think of the White Stripes when they play the blues. I have a Silvertone 1482 12W amp that nails the exact tone I need, but it lacks bass. So I plan to use my Fender Deluxe Reverb (22W) or even Vibrolux Reverb (40W), which would play too clean at low club volume though. This is why I am thinking about using a pedal. A friend of mine suggested me to use a reissue Fuzzy Face, but I am totally ignorant re: pedals, never used any, so I can't judge without trying at least a few. Now my question is: should I get a fuzz, a distortion or rather an overdrive pedal to get a distortion that makes my Deluxe Reverb sounds like fully cranked (and mean) with the volume around 3? The only thing I am sure of is that I don't want to sound like heavy metal. TIA, Carlo
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Late 20's Stromberg-Voisinet, '49 Harmony 1203, '59 Harmony H46, '59 Harmony H44, '65 Silvertone 1457 w/amp-in-case, '66 Guild Starfire V, '66 Harmony H39, '94 National Delphi. Plus Fender, Gibson, Silvertone and Guild amps. |
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#2
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Late 20's Stromberg-Voisinet, '49 Harmony 1203, '59 Harmony H46, '59 Harmony H44, '65 Silvertone 1457 w/amp-in-case, '66 Guild Starfire V, '66 Harmony H39, '94 National Delphi. Plus Fender, Gibson, Silvertone and Guild amps. |
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#3
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Can you link to a White Stripes song that gives an indication of the precise sound?
When I think White Stripes, I only really think of the heavy tone Jack is known for... and I think of the Big Muff pedal.
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"The great enemy of the truth is very often not the lie - deliberate, contrived and dishonest, but the myth - persistent, persuasive, and unrealistic. Belief in myths allows the comfort of opinion without the discomfort of thought." -- JFK I am one of the resident Visual Sound whores, and very much proud of it. |
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#4
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Big Muff.
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#5
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big muff
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#6
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big muff PI
you see what i just did there. uh huh thats right
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good deals with ibj273, swaggocaster, fjs1962, kev1n, texzy, dakotared, murphj1, estringwalker |
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#7
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but seriously, thats what jack uses
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#8
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Ive read somewhere that he (at least at one time) used a AM peppermint fuzz for those squealy lead tones.
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"A Telecaster just sounds more like a guitar" -Josh Pressed Rat and Warthog have closed down their shop. They didn't want to, 'twas all they had got... Good Deals HERE> http://www.thegearpage.net/board/sho...&postcount=549 |
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#9
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Jack's foundation tone was always a Fender Twin with an MXR Micro Amp pedal left on all the time. That was his crunch and rhythm tone. People assume that it was a Twin being cranked, but it was always just the Micro Amp doing it. For total fuzz saturation, he used the Big Muff on top of that. Never just the Muff direct into the Twin. Always Twin+Micro Amp "on"+Muff.
For the first album, De Stijl, and White Blood Cells, it was a black Russian Muff. Starting in late 2001 through to the recording of Elephant, and everything after it, it was a NYC Reissue Muff. Also, he used the Whammy for pretty much all of his soloing, as well as the drop-octave stuff. POG for Blue Orchid and the other harmony stuff on Get Behind Me Satan. Last piece is that he only used the bridge pickup on his Airline guitar (the neck pickup didn't work), and even though the pickup looks like a humbucker, it's actually a single coil. |
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#10
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I have a hard time believing he ever used AM stuff. I have never heard about the micro amp before... As someone who saw the stripes a few times live I would be shocked to find that his twin was ever below 12 on the volume.
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I <3 tgp |
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#11
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Low volume, with a deluxe reverb, my catalinbread formula no.5 is great to add a bit of that 'tweedish' hair. Still raunchy, still dirty but clean.
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#12
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Use what he used.
Single-coil, Plastic guitar --> A MXR Micro Amp to push you amp for dirty rhythm tones and a standard NYC Big Muff for everything else. Fender Reverb Amp <edit> !@#$ Cookieshoes beat me to it.
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"That is not dead which can eternal lie, And with strange aeons even death may die." -- Me |
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#13
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Thank you guys.
Below I put a pretty good sample of the kind of tone I'd love to nail with my Danelectro-made Silvertone slide guitar with lipstick pickups (starting from 01:10). Sorry, I am not able to insert a youtube window in the post body. I am more and more convinced that I will be using my 22W Deluxe Reverb for that nice bottom end that the Silvertone and the Gibson amps lack, since mine is a guitar+drum set as well. http://youtu.be/1fM2qhG8mA4
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Late 20's Stromberg-Voisinet, '49 Harmony 1203, '59 Harmony H46, '59 Harmony H44, '65 Silvertone 1457 w/amp-in-case, '66 Guild Starfire V, '66 Harmony H39, '94 National Delphi. Plus Fender, Gibson, Silvertone and Guild amps. |
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#14
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The only affliation Jack has with Analogman is that Mike rehoused almost all, if not all, his pedals for The Raconteurs. Also the only Analogman pedal he has is an A/B switch painted in the peppermint fuzz colours. And yes, Micro Amp into a regular Big Muff plus a whammy and POG equates Jack White in the stripes.
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Astrotone, Rat, DMM |
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#15
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in the movie "it might be loud" you can see he using a vexter fuzz factory at the jam with jimi and the edge... iirc he used also a wooly mammoth. but who knows which kind of sounds he get in combination with his hog or whammy etc.
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Sticks and stones hurt and words they can kill
Harassment and oppression, why can't people just chill |
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