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Tom Waits - “Mule Variations”
I’m a Kevin Moore fan. I’ll go with “Awake,” as that was when I realized his brilliance. That said, I haven’t paid attention to DT in ... decades(!).
Scott Amendola - “Fade to Orange”
Oh, I see. I'd suggest studying music theory. Analyze some classical pieces and apply those lessons to your own improvisation. For example, you...
One of my favorite TGP quotes is “sub dominant means substitute for the dominant.”
It all makes sense now.
I guess G to F, but I’ve been playing telecasters since I was 17, with the occasional 175 or 335 sneaking in. I doubt I’ll ever have a LP again.
Joseph Harris has a bunch of books that I really enjoyed working through. They have standard notation and tablature, if that is important to you....
I have a list of things I’m thinking about getting. It is fascinating how much stuff ends up on that list only to be removed before I buy it.
I hear music in noise. I’ve been annoyed that the band outside played into the early morning, only to realize the next day that there was no band,...
Thanks! Like crackle/popping noises or oscillation?
I've often had my students steal the phrasing of their favorite hip hop songs when improvising. Not sure how hoity-toity that is, but it is a...
Beautiful guitar! You sound great on it.
Any thoughts on this? I’d feel silly if I sent it back to z vex only to get a “they all do that” response. But I don’t remember my old ones doing...
I have a Martin OM18 Authentic as my only acoustic. Quite versatile.
Or do it with just the top four strings:
middle finger off and on.
I used to work at a shop that had this Gibson GA20. A humbucker guitar plugged into the microphone input had that about to explode, liquid gain...
I’d go for the longer scale. If you’re planning to tune B to B, it will sound much clearer. If you’re hoping for A to A, then even 28” is shorter...
I think my Fuzz Factory is misbehaving. Can you folks confirm?
If you set yours to:
Vol 9 o’clock (unity)
Gate 7 o’clock (off)
Comp 7 o’clock...
I can’t pick. I love different albums from different eras.
I've been into synthesis for a long time, including programming my own soft synths in the 90s, then playing with consumer soft synths, and then...
The discussions of scale length are interesting. I play everything from upright bass to mandolin, so I'm pretty adaptable.
In my mind, a plethora x2 or x3 shouldn’t be called “plethora.”
It is slowly evolving (devolving?) to a strat.