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My old Matamp GT1 for me. It was pretty much my ideal foggy old school Orange style tone, even more so than an early “pics only” OR80 that I also owned more recently. And the clean tone was probably the thickest, heaviest clean tone I’ve ever experienced.

You can’t post that and then ignore this amazing live version:

Is the FKR too rare to be considered?

Getting into the Synergy modules has confirmed for me that I just don’t use high gain anymore. I’d get a Deliverance in a heartbeat if I needed that much gain, but I don’t. On the other hand, it’s also confirmed that I really like Dumble cleans which is kind of unfortunate. :D I see a Two Rock...

*SOLD*

Could you do the orange Kay next?

I’ve got a modded DE7 that only just popped back up on the radar after going missing for about a week.

I’m so annoyed at how hard it is to pick the guitar. :rotflmao And the one I picked I only recently got rid of. Guitar: Gibson R8 w/ Fralin True 60’s pups Amp: Matamp GT1 FX: early Fuzzfaceless MkI

The Soulbender is a MkIII, right? Just saying “Tonebender” is being a little vague.

$2k CB/PigDog MkI with presets.

Yup. Or middle pickup wide open, I can go either way on that one. Other than that everything else stock. I’ve never had much use for blending in neck and/or bridge pickups, mid boost circuits, master tone, etc...

I’m going to guess the opposite order you’ve posted: SD1 > HM2 > MT2. Use the SD1 to boost, and use the surprisingly decent EQ of the MT2 to sculpt.

I started on a cheap SG clone and have owned my SG Classic longer than any other piece of gear. It feels like home every time I pick it up. Having said that, if I could only have one it would be a LP. I’ve got two currently (R4 & R7) and want more. I can’t really explain the GAS, either. I have...

Maybe just one more Les Paul...

Well... I’m weak. Bad Bob incoming.

Currently: TI/UK Sunlion & Peppermint Fuzz Formerly: 600ms AR20DLDX (x2), Peppermint Fuzz (standard & dark), BiComprossor, Astrotone, Sunface (BC183, NKT275) And I’m thinking about grabbing a Bad Bob.

The only pickups where I really needed to stagger were some Antiquities that were initially quite dark in the neck. Slam the height, stagger the poles, all good. I just installed a set of Black Dogs that sound amazing, but I’m noticing that the G definitely hits harder than the other strings...

SYN1 into a PS2 here. :wave The whole setup works great for me, although I already had the PS2 so that was one less thing for me to worry about. If I were setting up a dedicated Synergy rig separate from my normal head+PS2 stack I’d probably look at a 2/50/2 or something like that. I’ve been...

I’ve got a DC5 under my Nano and a DC7 under my bigger board. I’m pretty sure they’re the same dimensions except for width, so it should fit fine.

So far so good. It’s the most recent addition so I need to wiggle some more knobs, but I’m pretty sure it’s a keeper. The flexibility is nice to have compared to my last couple trems. I’ll probably never use the MIDI, though.

I’ll be heading into the new year with this:

A Shiva module might make me dump the Dumble if the clean is comparable. Channel 2 is fine but not my favorite. And a big +1 to a Matamp.

I just put an RS Guitarworks harness in my R7, and I’ve had one in an SG for years now. They’re one of the more well known brands for pre-wired harnesses and I’ve got nothing but good things to say about them. I also have a Creamtone harness lying around that I just haven’t gotten around to yet.

As someone who’s only passable with a soldering iron, I’ve always gone the prewired harness route to give myself the minimum number of chances to screw something up.

This is the correct way to do it. I always scratch my head when I see someone say “Oh yeah those pickups are great... I’ve got them in all 8 of my LP’s”. I guess if you’re touring and need consistency and backups then that makes sense, but for me I want variety. I’m thinking about picking up...