Ah yeah, I even had one of those, but they're like at least 40 years old now, and I wouldn't use one except for studio color.
I was thinking of the EHX dmm Hazari, which is true stereo, and a wonderful box, but not in any way analog.
I love the Lost Highway personally. You can actually set it as a pretty good vibrato as well.
But then I like the EHX Bad Stone RI as well. Just need to run it directly after a good buffer (Eventide Rose in my case) to limit the popping switch.
I love the Rose pedal myself. I definitely wouldn't buy it if you're looking for crystal clear delays though.
The Rose has more of a 12-bit or analog character. It is one of the few new pedals that offers really long delays for Riley-style (aka Frippertronics) looping. As well as flange &...
For the live track, I would guess the guitarist is using a JC-120/JC-50/Some other kind of chorus amp, possibly in conjunction with another amp for tube-style grit. It's purely a guess, but a lot of punk/post-punk players used or use that kind of setup.
It just doesn't have the all-consuming...
Stuff I've used that worked great as a replacement for an amp direct into the PA:
Award Session JD10
Stuff that worked well as a sparkly clean DI replacement:
Stuff that was acceptable as an amp sim:
Digitech Bad Monkey