Really curious about this comp. are you guys just using it for slide?
I'm looking for something that can do a light natural compression for newer pop country on one side and then switch to a heavy compressed sound for the 90's brent mason thing.
Any of you guys able to do that with this pedal?
So when the Vertex Boost is turned off and the exp pedal is plugged in, do you get the tone suck that you usually get with a volume pedal? Or is it still out of the path such as when the boost is turned ON? Sorry Im not super hip to pedal lingo.
I guess what Im trying to figure out...
Really liked the Flint and Wet. I thought they blended with the dry signal and sounded very natural. The HoF sounded great too. The EQD pedal was a little over the top for me but sounds great for that kind of thing.
Is it possible to have the TL receiving bank/preset changes from a Space while NOT receiving global tempo? Is it easy to switch back and forth between receiving global tempo and not receiving it?
Would be nice to receive global tempo when playing on the fly and to not receive when tempos can be...
Everyone posts alot of the same settings over and over again but NEVER explain how they use each of the four slots. I want to see how other people are utilizing the unit in live situations.
Im constantly changing it around but seem to use this most often.
1. Analog- quarter note- low FX level...
Ive been having a ton of trouble with mine. Depending on what else is in my chain and placement Im getting all these weird volume boosts/cuts. Im also running a Loopmaster loop pedal. Anyone know what is causing this?
Not trying to derail the thread, they just seemed similiar.