omfg51
Member
- Messages
- 2,916
By this, I simply mean that the amp does not have the right amount of clean headroom, or at least it may not be enough for what I'm doing.
I picked up the amp today, played a rehearsal for a show with it, volume was constantly set at 5, plugged into the Vintage channel. It sounded FANTASTIC on its own and with my pedals, but I couldn't get it completely clean in the band mix without being too quiet. I used both single coils and humbuckers, a Tele build and a 339, and there was never a perfectly clean tone at the volume I had to play to be heard in our rehearsal mix.
Granted, I know that for this upcoming show and future shows alike, the amp will be mic'd up, so perhaps I was just pushing the amp harder than I needed to because of our rehearsal setup.
I am considering returning the amp to possibly find a '65 DRRI with the bright cap clipped, or perhaps upgrading to the '68 Vibrolux reissue. I A/B'd the '65 and '68 DRRI amps, and vastly preferred the overall tonally qualities of the '68. Although the 35w Vibrolux may be ideal, and the bright switches are perfect for changing between a single coil guitar and a humbucker guitar live, but I've never been thrilled with the idea of a 2x10 configuration. I've played them in the past, simply testing, but always preferred the tone of 12" speakers. Perhaps this Vibrolux can change my mind.
In the meantime, I'm going to play the gig and see how the amp treats me, maybe I'll find a better clean volume onstage being mic'd up.
I picked up the amp today, played a rehearsal for a show with it, volume was constantly set at 5, plugged into the Vintage channel. It sounded FANTASTIC on its own and with my pedals, but I couldn't get it completely clean in the band mix without being too quiet. I used both single coils and humbuckers, a Tele build and a 339, and there was never a perfectly clean tone at the volume I had to play to be heard in our rehearsal mix.
Granted, I know that for this upcoming show and future shows alike, the amp will be mic'd up, so perhaps I was just pushing the amp harder than I needed to because of our rehearsal setup.
I am considering returning the amp to possibly find a '65 DRRI with the bright cap clipped, or perhaps upgrading to the '68 Vibrolux reissue. I A/B'd the '65 and '68 DRRI amps, and vastly preferred the overall tonally qualities of the '68. Although the 35w Vibrolux may be ideal, and the bright switches are perfect for changing between a single coil guitar and a humbucker guitar live, but I've never been thrilled with the idea of a 2x10 configuration. I've played them in the past, simply testing, but always preferred the tone of 12" speakers. Perhaps this Vibrolux can change my mind.
In the meantime, I'm going to play the gig and see how the amp treats me, maybe I'll find a better clean volume onstage being mic'd up.