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awaiting my lovepedal eternity...

Discussion in 'Effects, Pedals, Strings & Things' started by slowburn, Aug 16, 2005.

  1. slowburn

    slowburn Supporting Member

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    talk about anxious. I know it's just a pedal, but still... man you guys are serious enablers...
     
  2. slowburn

    slowburn Supporting Member

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    p.s. any one have real time clips of the eternity (preferably) thru single coils & (hopefully) with a lovepedal vibe?
     
  3. slowburn

    slowburn Supporting Member

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    wow is that gain strictly from the eternity? that's awesome. very amp like. hopefully this will inspire me to be a better player the way your vibe inspired me to write some new tunes...
     
  4. fuzzyguitars

    fuzzyguitars Supporting Member

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    i am waiting for my eternity as well.

    it feels like i am waiting.......an eternity!!!!
     
  5. slowburn

    slowburn Supporting Member

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    sweet. I'm pumped...
     
  6. rhmcfarland

    rhmcfarland Member

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  7. fuzzyguitars

    fuzzyguitars Supporting Member

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    nice! what amp?
     
  8. rhmcfarland

    rhmcfarland Member

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    hey, fuzzy...

    30 watt Bogner Metropolis
    set on Schizo 3 (kind of a Fender/Vox type sound that boosts
    the lows and the highs)
    gain set at about 1:30-2 o'clock
    bass @ 9 o'clock, treble & presence @ noon

    I'm not sure what mic Martin using. I'm pretty sure it wasn't a 57.

    Randy
     
  9. Brion

    Brion Supporting Member

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    It's probably just the wimpy speakers in my laptop, but all 4 of the tone test clips sound exactly the same to me.
     
  10. rhmcfarland

    rhmcfarland Member

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    yep, you have problems with the speakers.

    Most of the people that responded liked 1 and 4, the BSM and the Eternity. 2 very different tones. The BSM is bright & silky, and the Eternity has a darker radiance that can sound a lot like a cranked vintage amp, or a bit like my SLO-100 with some top end bite.

    Randy
     
  11. Brion

    Brion Supporting Member

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    Yes I'm sure the little 1x.5" speaker doesn't do anything justice. I was laughing because it really made them all have the same tone. I'll have to listen to them later on my home system. :)
     
  12. rawkguitarist

    rawkguitarist Member

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    I can't believe how cool and versitile the Eternity is. I never intended to use it in this fasion, but it gives some pedals what they are lacking. I use it as a treble boost into my Menatone KOTB for my small practice rig at home. It gives it the presense it needs. It has to be the coolest overdrive made!!

    When I frikkin have some time I'll put some sound clips up... speaking of I need to call my studio buddy...

    Thanks Sean for making cool snizzle!
     
  13. rhmcfarland

    rhmcfarland Member

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    Yep, the Eternity's got the mojo.
    I've used it in the studio, and I've played it live in front of some big crowds (lately on the Fox Memphis station as well). Its about as good as any overdrive is ever going to get, imho.

    I'm looking forward to getting the Karl and the BBB. The Karl has an inherent lunacy that's quite appealing...

    Randy
     
  14. slowburn

    slowburn Supporting Member

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    ok sean, this is a question for you, but if you answer I'll be upset cause that means you're here when you should be building pedals (jk) ... is it a 4-5week wait?
     
  15. pacomc79

    pacomc79 Member

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    Sean, I've always been very impressed by the quality of your clips, will you provide any information as to the equipment you use to record your stuff? Most of the time clips don't do pedals justice but you can actually hear the "life" of your pedals in the clips. I'd just like to know I guess what amps you primarily record through and the mics I guess.
     
  16. MAGICboy

    MAGICboy Gold Supporting Member

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    Thank you.. I try real hard.. :)

    some clips are done by guys like the gainster, Randy mC, Mike Katon in there own studio's.. I think the mic'ing technique is the secret to capturing anything to tape..

    I use audition a 57 and a few different amps.. 64 silvertone 1482, tweed pro junior, a custom shop mary kay blues junior with a swamp ash cab, ampeg jet and super jet.. Katon uses a tweed bassman, super reverbs, marshall 100 watt 4 holers, peavey classic 20.. The gainster uses santana's old blue angel boogie, a .22 cal boogie and a mark 4.. I try to mic the room so you get a feel of what they sound like in a ROOM in stead of just capturing what coming off the speaker.. It is a art to do clips that sound nice for sure..
     
  17. MAGICboy

    MAGICboy Gold Supporting Member

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    It's a 45 week wait..
    :D

    luv U man...
     
  18. slowburn

    slowburn Supporting Member

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    (paralyzed with shock, slowburn's heart stops, and his head smashes against the keyboard...)
     
  19. pacomc79

    pacomc79 Member

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    Thanks, Sean. Keep up the good work. I appreciate your passion. :dude
     
  20. The Gainster

    The Gainster Member

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    What cha mean???????????????????????????
     

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