After spending some time with one, I am impressed with the quality of the AX8 tones and build. Coming from a POD HD500, it is a noticeable step up in sound quality.
I have immediately noticed that, having my StageSource L3T on PA/Reference mode, I do not have to work hard to tame the top end like I did with the HD500. There is little to no shrillness on top, which is a refreshing change. I have not made it past the first eight factory presents; just spending time with those amps and effects, making some tweaks and changes, learning how to program with Axe Edit and some on the unit itself.
I have made some minor adjustments to amps and cabs, played around with X/Y and scenes and controllers (Roland EV-5). It's not as intuitive as I'd like and it's very deep but so far, I am getting good tones without a lot of work. I wonder if the lack of shrillness on the top end is what some people have referred to as the Fractal "darker" sound or signature sound. There have been some tweaks I've done that increased the treble and/or presence to give a bit more bite as the present might have been too dark for my taste.
I am still considering whether I want to keep it or not, but I can honestly say (FWIW), as a new Fractal customer, that I am impressed with the quality of Cliff's product. Well done.
What I am also wondering is whether or not the Helix will be a better fit for me. I'm not too interested in the deep dive, rabbit holes that Fractal provides for tone shaping controls. I want gear to sound good with minimal intervention. I'm a bit nervous re: Helix as, having followed many threads on here since day 1, it seems as though there are some who feel that Helix requires more intervention out of the box. Buying third party IRs, speaker/mic manipulation, global EQ cuts, etc. These are the things (even trying an EPSi) that I had to do to get my HD500 tolerable. It took a long time and a lot of work.
Anyway, just thought I'd throw out my $0.02 worth into the conversation. Peace.
I have immediately noticed that, having my StageSource L3T on PA/Reference mode, I do not have to work hard to tame the top end like I did with the HD500. There is little to no shrillness on top, which is a refreshing change. I have not made it past the first eight factory presents; just spending time with those amps and effects, making some tweaks and changes, learning how to program with Axe Edit and some on the unit itself.
I have made some minor adjustments to amps and cabs, played around with X/Y and scenes and controllers (Roland EV-5). It's not as intuitive as I'd like and it's very deep but so far, I am getting good tones without a lot of work. I wonder if the lack of shrillness on the top end is what some people have referred to as the Fractal "darker" sound or signature sound. There have been some tweaks I've done that increased the treble and/or presence to give a bit more bite as the present might have been too dark for my taste.
I am still considering whether I want to keep it or not, but I can honestly say (FWIW), as a new Fractal customer, that I am impressed with the quality of Cliff's product. Well done.
What I am also wondering is whether or not the Helix will be a better fit for me. I'm not too interested in the deep dive, rabbit holes that Fractal provides for tone shaping controls. I want gear to sound good with minimal intervention. I'm a bit nervous re: Helix as, having followed many threads on here since day 1, it seems as though there are some who feel that Helix requires more intervention out of the box. Buying third party IRs, speaker/mic manipulation, global EQ cuts, etc. These are the things (even trying an EPSi) that I had to do to get my HD500 tolerable. It took a long time and a lot of work.
Anyway, just thought I'd throw out my $0.02 worth into the conversation. Peace.