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Clapton Layla tone


Here is alot of info about Layla and production:

This is about George Harrison's wife, Pattie. She and Clapton began living together in 1974 and married in 1979. Clapton and Harrison remained good friends, with George playing at their wedding along with Paul McCartney and Ringo Starr. Clapton left her for actress Lory Del Santo (with whom he had his son, Conor) in 1985. In an article published in The Guardian December 13, 2008, Pattie said: "I wasn't so happy when Eric wrote 'Layla,' while I was still married to George. I felt I was being exposed. I was amazed and thrilled at the song - it was so passionate and devastatingly dramatic - but I wanted to hang on to my marriage. Eric made this public declaration of love. I resisted his attentions for a long time - I didn't want to leave my husband. But obviously when things got so excruciatingly bad for George and me it was the end of our relationship. We both had to move on. Layla was based on a book by a 12th-century Persian poet called Nizami about a man who is in love with an unobtainable woman. The song was fantastically painful and beautiful. After I married Eric we were invited out for an evening and he was sitting round playing his guitar while I was trying on dresses upstairs. I was taking so long and I was panicking about my hair, my clothes, everything, and I came downstairs expecting him to really berate me but he said, 'Listen to this!' In the time I had taken to get ready he had written "Wonderful Tonight."
I was a bit more hurt when Eric wrote Old Love (1989). The end of a relationship is a sad enough thing, but to then have Eric writing about it as well. It makes me more sad, I think, because I can't answer back."
Clapton was seeing Pattie Harrison and deeply in love with her when he wrote this. A lot of people knew about the affair, since it wasn't easy for someone as famous as Clapton to keep a secret. Bobby Whitlock, who was in the band and good friends with both Harrison and Clapton, explains:
"I was there when they were supposedly sneaking around. You don't sneak very well when you're a world figure. He was all hot on Pattie and I was dating her sister. They had this thing going on that supposedly was behind George's back. Well, George didn't really care. He said, 'You can have her.' That kind of defuses it when Eric says, 'I'm taking your wife' and he says, 'Take her.' They got married and evidently, she wasn't what he wanted after all. The hunt was better than the kill. That happens, but apparently Pattie is real happy now with some guy who's not a guitar player. Good for her and good for Eric for moving on with his life. George got on with his life, that's for sure."

The lyrics are based on the book by Persian poet Nizami, Layla and Majnun, about a man in love with a woman who cannot have her because her parents object. When they cannot be together, he goes insane. Clapton's situation with Pattie was different, but he liked the title and the theme of unattainable love.

Duane Allman came up with the famous guitar riff and played lead with Clapton. The riff was based on one Albert King played on his song "As The Years Go Passing By," but considerably sped up.

Allman ended up playing on the album through good timing and a mutual admiration between he and Clapton. Tom Dowd was producing the Allman Brothers' album Idlewild South at Criteria Studios in Miami when he got the call that Clapton would like to book time with his new band. Duane was a huge fan of Clapton, and when the Allman Brothers played a show in Miami on August 26, 1970, it was when Derek and the Dominos were recording with Dowd at Criteria. Duane called to see if he could stop by after the gig, and Clapton decided to bring his band to the show. At the show, Duane froze up when he saw Clapton near the stage, but the admiration was mutual, and Clapton arranged for Duane to keep coming by and help with the album. Duane would fly in between Allman Brothers shows, and after recording a few songs with Derek and the Dominos, he worked with them on "Layla" the final day of the recording sessions: September 9th.

An edited version was released as a single in 1971. it ran 2:43 and flopped on the charts. The full, 7:10 version was released a year later and became one of the most famous songs in Rock history. Allman's death in a motorcycle accident in October, 1971 helped renew interest in the song.

Clapton went into a drug-filled depression when the single tanked in 1971. He couldn't understand why it wasn't a hit. The record company did very little to advertise the album, figuring any project with Clapton would get plenty of publicity. It eventually did, and the record company made out very well.

Derek and the Dominos formed after Eric Clapton, Bobby Whitlock, Carl Radle and Jim Gordon worked on George Harrison's first post-Beatles album, All Things Must Pass. They got together at Clapton's house in England and started writing songs and playing small clubs. Bobby Whitlock explains:
"We toured all over England. We did a club tour, and no ticket was over a pound. It was all word of mouth. We played the Speakeasy in London and The Marquee Club, then we played some really funky places up in Nottingham and Plymouth and Bornmouth - we went all over Great Britain. Here we were, these so called "big rock stars," and we were playing these funky places that would hold like 200 people. Of course, people were jam packed and spilling out on the streets and stuff. It was pretty wild, it was a great time. We did this one tour, we rode around in Eric's Mercedes. We were all crammed in one car. The second time we went out in Great Britain, we upscaled it. We played small concert venues - Royal Albert Hall and places like that. We went down to Miami, recorded the Layla album and went on tour in the United States. We preceded the record for the most part. All Things Must Pass Came Out, it was a big record, "My Sweet Lord" was #1. We were on the road in the United States, George was playing all over. We were all over the radio with our playing with George, and the album Layla - nobody could get it."

The group did a lot of drugs while they were recording the album - there's even a picture as part of the album art of Duane making a phone call, which Whitlock says was to score drugs from Georgia. While drugs led to a lot of problems down the line for the band and most of their members, it didn't hurt their performance on the album - Clapton even said that the drugs may have helped the recording process.

In her 2007 book Wonderful Tonight: George Harrison, Eric Clapton, and Me, Pattie Boyd wrote: "We met secretly at a flat in South Kensington. Eric Clapton had asked me to come because he wanted me to listen to a new number he had written. He switched on the tape machine, turned up the volume and played me the most powerful, moving song I had ever heard. It was Layla, about a man who falls hopelessly in love with a woman who loves him but is unavailable. He played it to me two or three times, all the while watching my face intently for my reaction. My first thought was: 'Oh God, everyone's going to know this is about me.'

I was married to Eric's close friend, George Harrison, but Eric had been making his desire for me clear for months. I felt uncomfortable that he was pushing me in a direction in which I wasn't certain I wanted to go. But with the realization that I had inspired such passion and creativity, the song got the better of me. I could resist no longer."

Clapton's affair with Patti Harrison wasn't a big concern with the band. Says Whitlock, "It was nobody's business. They were adults making adult, life-altering decisions."

At the end of the song, Dwayne Allman produced the "crying bird" sound with his guitar while Clapton played acoustic. It was a tribute to Charlie Parker, a jazz legend known as "bird."

The piano piece at the end was edited on a few weeks later. Drummer Jim Gordon came up with it as a solo project and had to be convinced to use it on "Layla." Gordon was one of the most successful session drummers of the late 1960s and early 1970s, playing on many classic albums of the time. Sadly, in the mid 1970s, severe psychological problems began to manifest in Gordon's behavior. He complained of hearing voices, especially the voice of his mother. By the late '70s, Gordon's mental difficulties - later diagnosed as acute paranoid schizophrenia - had ruined his musical career. In 1983, Gordon brutally murdered his own mother using a claw hammer. The insanity defense having been narrowed in California, Gordon was convicted of second-degree murder in 1984 and sentenced to 16 years to life. If he ever gets out of jail, Gordon will have lots of money waiting for him as a result of his songwriting credit on this. (thanks, Dan - Auckland, New Zealand)

The piano at the end has become famous. It was used to great effect at the end of the movie Goodfellas, and radio stations almost always play the version with the piano. At the time, not everyone liked it. Says Whitlock, "I hated it. The original 'Layla' didn't have a piano part. When we did the song, we didn't have a piano part in mind. Jim was playing it, and Eric said, 'What about that - that's good.' Jim's not a piano player. He plays so straight - everything is right on the money. They wanted me to give it some feel, so Jim recorded it, I recorded it, Tom Dowd mixed them together. It's 2 different takes."

Clapton performed a slow, acoustic version for an MTV Unplugged concert in 1992. It was released as a single and made #12 in the US, getting lots of airplay on pop, rock, and adult contemporary radio stations. This version also won a Grammy for Best Rock Song.

In 1985, Eric Clapton played this at Live Aid, a benefit concert for famine relief. Phil Collins played drums during his set. (thanks, Ethan Bentley - Southampton, England)

Andy Summers from The Police named his daughter Layla.

In England, this was reissued in 1982, hitting #4.

The band broke up when they tried to record a second album. Clapton and Gordon had a falling out in the studio, which ended the sessions and marked the end of the band. Says Whitlock, "Eric says it was drugs and paranoia. It was just a lot of everything. We were road weary. We did 50-something dates in as many days in the United States. I would wake up and not even know where I was. They didn't expect us to live very long anyway. We surprised them, at least a couple of us did - Eric and myself. That was it." Carl Radle died of heroin-related kidney failure in 1980. (For more on Derek and the Dominos, check out our Bobby Whitlock interview)

Great synopsis. Here are a couple of more details. Apparently Jim Gordon was sneaking into the studio at night to lay tracks for a solo album on Clapton's dime, and was discovered. In lieu of payment, Clapton took the piano piece that Gordon was working on as the coda to Layla.

In Patty Harrison's biography she describes a scene where George and Eric had a guitar battle to decide who got the girl. George overplayed and lost. There's a lesson there.

And in an online chatroom that I can't find right now, Bobby Whitlock had dozens of posts going into intimate detail about his time with Harrison, Clapton, and the Bramletts. In one he describes a scene where he, Duane and Eric vowed to give up dope, and flushed an ounce of pure Peruvian flake down the toilet. 10 minutes later they were on the phone trying to score some more (maybe that was when the Duane pic was taken).


"Layla was based on a book by a 12th-century Persian poet called Nizami about a man who is in love with an unobtainable woman."
Nizami transcibed the pre-Islamic epic Arabic poem, "Layla (or Layli) and Mejnun".
It's cool how Clapton referenced a classic to express himself as 'Crazy for love' (himself as Mejnun). He may have been a jerk but at least he was a reader.


Play It Forward
Silver Supporting Member
Interesting on that Albert King reference. Rip a single measure from a melody and take it somewhere new. I can do that!

PS - I had to pay attention while listening to the youtube video of Albert doing "As The Years Go Passing By" to catch it.
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Platinum Supporting Member
As for the amps, it was two Tweed Champs - one for Duane one for Eric. They were both sitting on top of a grand piano. For more detail, there was a Tonequest piece a couple of years ago with an interview with the engineer from the Layla sessions.
I highly recommend Suhr V60LP pickups there awesome! I would also upgrade the rest of your electronics change out the 5 way switch and the crappy pots something with a 10% tolerance, Change the tone Cap to a .01 and upgrade the tremolo to a callaham so you have real steal instead of cheap zinc. If your going to use your tremolo a lot grab some locking hipshot tuners they have a gear ratio of 18:1, Get Big Bends Nut sauce and a setup.



Play It Forward
Silver Supporting Member
Yes, always spend a ton of money chasing a tone that can be had easily.


Yeah...do you guys like the fender vintage noiseless?

I love mine. I have played them for about 15 years now. I use 250k pots. They have to be 250K or higher or they really get dull. So if you throw a set of VN pups into a guitar with stock, way under tolerance pots, they will sound terrible! The 1 meg pots supplied in the set is overkill and contribute to the "icepick" rep they get. They are finicky but I love them! I have tried many other options but these are like a well worn pair of shoes and anything else does not sound right in that guitar.

That being said, there are so many options out there now than when these hit the market. I need another strat to try some of the newer noiseless solutions. Starting with that Shur backplate thingy!

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