That’s a flanger though. He uses the Electric Mistress for the more extreme jet airplane sounds.I'm not a Dino expert but think he always used an Electric Mistress
EDIT...I was thinking of a totally different song. Never mind...
Maybe he's contradicted himself in other rig rundowns, but the one's I've seen he says the Real Tube is his "clean" sound, as in Real Tube into fairly clean Marshalls/Hiwatts. The Big Muff with the volume turned down (via a gain pedal that just drops the gain) is his main dirty tone, and full volume Muff is his basic lead tone (sometimes he adds the tone bender into the Muff for more chaos). Pretty wild but it sounds cool!While we’re on the subject of J’s gear - does he really use the Tubeworks Real Tube 901 as his always-on dirt live?
He said on the rig rundown that he runs the Marshalls/Hiwatt clean so I’m guessing his dirty tone is just the Real Tube 901 + Rams Head Big Muff or the Jerms Tonebender MKI. So am I to understand his dirty tone is mainly coming from the Real Tube 901?![]()
I’m no help as I USED to remember this information.....Sounds lush and swirly I’d like to find this phaser. Read somewhere that J used a MXR Phase 100 on the track ‘’Seemed Like The Thing To Do’’ from Without A Sound. Does anybody know if J used the script or block logo version MXR Phase 100?
Yeah he refers to the Real Tube 901 as his ‘’clean’’ sound (since he apparently doesn’t like his straight-in amp tone), but we both know in actuality the Real Tube is set for light drive. I know I’m over-analyzing minute details (pointless to some) but I just felt like talking with like-minded Dino fans.Maybe he's contradicted himself in other rig rundowns, but the one's I've seen he says the Real Tube is his "clean" sound, as in Real Tube into fairly clean Marshalls/Hiwatts. The Big Muff with the volume turned down (via a gain pedal that just drops the gain) is his main dirty tone, and full volume Muff is his basic lead tone (sometimes he adds the tone bender into the Muff for more chaos). Pretty wild but it sounds cool!
I'm pretty sure it is... about 17:40 he switches from his "clean" tone to his main rhythm dirty tone (Big Muff with volume turned down), then at 17:48 he turns on his basic lead tone, which is just the Big Muff with the volume all the way up. He does mention he sometimes will use the tonebender by itself if he wants a staccato, gated tone.Yeah he refers to the Real Tube 901 as his ‘’clean’’ sound (since he apparently doesn’t like his straight-in amp tone), but we both know in actuality the Real Tube is set for light drive. I know I’m over-analyzing minute details (pointless to some) but I just felt like talking with like-minded Dino fans.
BTW are you sure the Big Muff is always on for his dirty tone? You can tell when he turns it on because there’s an upper midrange bump and his dirty tone gets fuzzier IMO.
I think you’re right..the pronounced upper mids I’m hearing are probably from the volume boost from his Big Muff. I mean J has been using his ‘76 Rams Head Muff live since 1989, so why would he deviate from his core sound...I'm pretty sure it is... about 17:40 he switches from his "clean" tone to his main rhythm dirty tone (Big Muff with volume turned down), then at 17:48 he turns on his basic lead tone, which is just the Big Muff with the volume all the way up. He does mention he sometimes will use the tonebender by itself if he wants a staccato, gated tone.
Btw sorry to derail the original question... I wish I knew what phaser that was on the OP track. Such a cool sound!
I don't know, but I've seen some footage and read some interviews about his recording methods and he does deviate from his live rig when in the studio. J seems to like teles into princetons and champs in the studio... so I don't think it's a stretch to think he would use something other than his Big Muff while recording as well.Thanks!
Did J ever use a RAT? Because on the Beyond album (“It’s Me” comes to mind) it sounds like a RAT (Gain at 3:00, Filter at zero, Volume cranked) IMO. Anybody know what he actually used though? On the solo it’s the Big Muff + Super Fuzz or Roland Bee Baa. Definitely sounds like a Bee Baa on the outro solo IMO.