Hi Anyone found the way to set up a (5 knob) DMM for a dotted eighth pattern?
D dharmabum Member Messages 25 Jan 16, 2010 #1 Hi Anyone found the way to set up a (5 knob) DMM for a dotted eighth pattern?
C chart #3 Member Messages 32 Jan 16, 2010 #2 There's no particular setting for that, you have to play in such a way that the repeats hit on dotted eighths... Takes a little bit of time to get it right but then you're set. Not exactly practical, compared to tap tempo.
There's no particular setting for that, you have to play in such a way that the repeats hit on dotted eighths... Takes a little bit of time to get it right but then you're set. Not exactly practical, compared to tap tempo.
D dharmabum Member Messages 25 Jan 16, 2010 #3 So - you're saying it's more about the rhythm of playing rather than the length of delay or amount of feedback? I wonder if there are any settings which work best with this, though?
So - you're saying it's more about the rhythm of playing rather than the length of delay or amount of feedback? I wonder if there are any settings which work best with this, though?
Bo Faulkner Member Messages 3,822 Jan 16, 2010 #4 dharmabum said: So - you're saying it's more about the rhythm of playing rather than the length of delay or amount of feedback? I wonder if there are any settings which work best with this, though? Click to expand... yes that is what he is saying.. You pick the tempo you want to play at and then adjust the time to fit ... or vice versa..
dharmabum said: So - you're saying it's more about the rhythm of playing rather than the length of delay or amount of feedback? I wonder if there are any settings which work best with this, though? Click to expand... yes that is what he is saying.. You pick the tempo you want to play at and then adjust the time to fit ... or vice versa..
O orogeny Gold Supporting Member Messages 10,872 Jan 16, 2010 #5 one e and a two e and a three e and a . . . . .
D dharmabum Member Messages 25 Jan 16, 2010 #6 orogeny said: one e and a two e and a three e and a . . . . . Click to expand...