... much of the record is in my head. I've been having trouble hearing a lot of the actual music on it from a musician's standpoint. It's all too "right". The "solos" are too "correct" to hear in real time, so it's only when I'm getting groceries or I'm at the bank, and a phrase runs through my head, and I realize how it transitions into the next phrase and how they fit within the context of the whole lead break, and only then, without the music actually playing to keep sweeping me along can I somehow really appreciate them. I have one in my head right now, and I'm not even really sure which song it's from! She's the Woman, I think. There are so many, and so many little fills, and Edward's gotten better, a lot better. It's still Honey-sweetie for me, though. That whole Honey-sweetie-pie song is just incredible to me.