There's a schematic, so you can be happy.You go boy!!!!
Thanks for bringing that up - I have a very real concern about ground loops based on my experience with running one amp into another previous to this experiment.To mitigate the risk of hum from mains ground loops, I suggest to keep the circuit's 0V common isolated from the chassis ground; see how Fender do this on the RI standalone with R23/CR5/CR6 https://el34world.com/charts/Schematics/files/Fender/Fender_63_reverb_manual.pdfreverb
Note that the range of control from the presence will become much less when there's a resistive load (ie less boost available).
Have you considered implementing a full tone stack (or at least T&B), and making up the consequential loss in signal level with the spare 12AX7 section?
That link is broken.To mitigate the risk of hum from mains ground loops, I suggest to keep the circuit's 0V common isolated from the chassis ground; see how Fender do this on the RI standalone with R23/CR5/CR6 https://el34world.com/charts/Schematics/files/Fender/Fender_63_reverb_manual.pdfreverb
Note that the range of control from the presence will become much less when there's a resistive load (ie less boost available).
Have you considered implementing a full tone stack (or at least T&B), and making up the consequential loss in signal level with the spare 12AX7 section?
Thanks!Just needed to trim the end of it:
https://el34world.com/charts/Schematics/files/Fender/Fender_63_reverb_manual.pdf
So, this is a monolithic grounding scheme then ?I use this circuit to fix ground loops in gear like this -![]()
It safely makes the ground of whatever you put it in just a bit higher than the other things, so the amp becomes the main grounding point and avoids the loop, but the other piece of gear is safely connected to ground. It's a must have for 6g15's! You have to isolate the input jacks and not ground anything to the backs of the pots, i.e. use a star ground design.
According to a guy who grew up with Ed, who I have bought some tubes from, and who I've been asked not to name..So time out - what's the goal here? Whatcha aimin' to do with this?
Obviously, all the tech tips for the circuit itself are awesome, but the overall picture might help frame the direction - nah'mean?
Not 100% sure I'm going to put the standby switch in the circuit yet.BTW - why include a standby? I'm kinda ambivalent about them. I'll remove them if they're stupid (like a switch on the secondary center tap) if the opportunity represents itself and on the other hand, I'll leave them if they are wired "correctly" (there are some bad positions to have a standby).
But if I'm designing/building an amp that has ANY tube rectifier (direct or indirect cathode/heater), I'm not going to waste the real estate/time on it.
BUT - I'm not going to knock anyone who would include one, especially if they know how to use it properly, but I'm just CURIOUS why you would go through the trouble?
The signal chain for VHI was an EP-3 => Fender Bandmaster w all controls on 10 => ext. speaker jack into stock a Marshall plexi.
A guy on MetroAmp did this with a Bassman a decade ago.Sounds like an awesome thing to try - and with your chops, it could be epic.
JUST KEEP IN MIND - without naming names - all of these guys that were there are FRIED. LOL!!! There are more rumors about what Eddy did with what, it seems like there could have been 673 different people with 1,072 different interpretations about what he did on VH1 (and 2 for that matter).
BTW - I'm not immune to the hype - today I literally finished a bucking transformer from parts I had laying around for a Hammond amp I just converted. I created two taps from the transofrmer, and one is dropping the voltage to the low 90s and IMMEDIATELY I thought - HELLS YEAH, THAT'S WHAT EDDY WAS RUNNING HIS VARIAC AT - TONE GOLD MUTHATFECKER!!!!