Fender Bassman 100 Opinions

Dunno about advising concerning the specific sound he is looking for, but the Bassman 100, if it one of the 4x6L6 Bassmans, is a great bass amp. Maybe retube with 7581A's for max headroom.

I would lose the original cab entirely and go with the 2x15 Showman cab or a coupla single 15 cabs. EVM15-L or JBL D-140 speakers.

 

I actually use the Bassman 100 as a gigging amp quite often. I had mine reworked by Brent at Solderhaus recently (Tacoma/Seattle area), and it was worth having done. With the right cab, this amp will put out just enough to power through most gigs.

I will say that I use bass cabs with it (2x12 Bag End and 2x10 generic cab with Carvin speakers) for a total load of 2 ohms. The way that this drives the amp is absolutely heaven for a P-style bass guitar. I go back and forth with my modern rig quite a bit, depending on the venue.

To be clear, I also have the matching crazy 4x12 cab, and it sounds like pewp. I don't like it with guitar or bass, but I'll still keep it around since it's stock and matches the head. Hook that bad boy of an amp up to some legit speakers, push it at a 2 ohm load, and you will NOT be sorry.

PM me if there's anything you don't want to ask publicly. I'm happy that someone else is giving this great amp a shot.

-Mark

 

You will get the biggest bang for the buck by running it into modern cab with high efficiency bass drivers / speakers with the correct impedance load for the amp.

Also like any old Fender, be sure to have good tubes in it biased up proper and fresh electrolytic caps / grid resistors. If it has the hum balance circuit it will probably be worthwhile to install a good solid BF style bias arrangment.

If you still need more headroom at that point, you might be able to get a less spongy feel / slightly more solid bass response by going up in value on the filter caps (100uF or 220uF), but this may also change the tone / response in a way that you don't like.

 

I repeat (as others have agreed): dump the cab. If the spkrs sound like sh*t, what could Miles possibly "love" about it?? If Miles is anything like me, Miles will "love" not carrying that oversized boat anchor around. Two single 15 cabs will make life so much easier! Even a 2 x 15 Showman cab will be an improvement.

Beef up the head, replace the cabinet.

 

Hmm,

I used to love my bassmann 100 cab, I think I used it more for guitar than bass and when playing bass I was playing at lower volume, but I remember it as a great cab.

Sorry OP, I don't have a speaker suggestion, I'm just suprised to see the cab get dismissed.

 

"...I'm just suprised to see the cab get dismissed."

How many 4x12 bass cabs do you see on the market? I am not suggesting one should conform to the majority, but that cab is bulky and probably not as well ehgineered for bass.

OP: if Miles is hell-bent on keeping the cab, I am sure there are plenty of replacement drivers available (Eminence, Weber, et cetera). Has anyone employed that google-thing to this end?

 

The 4x12 for bass is making a big comeback as the new "big cab" alternative to the 810 or 215. Aguilar, Eden on the high end, Avatar in the value section, and Peavey kicked out a fair few in its time. They're popular with the 5 string rockers seemingly.

I prefer a 215

You COULD run something like a Eminence Basslite in it, but I doubt the cab will be well suited to that. They're likely guitar drivers, and if he likes how it sounds now, maybe something in the higher power handling section of Eminence? Texas Heat or Swap Thang may work. Just have to be careful how much low end you push through to avoid speaker death.

 

A lot. While it isn't near as common as say a 4x10 or a 1x15, it's getting to be more common than say a cabinet with 2 different sizes of drivers, like say a 1x15 w a 1x10 in the same cab.

I say "viva la difference", but ymmv.

 

I flat would not do this.

A 4x12 may be the thing for some, but with a 4x6L6 Fender head, I would still recommend a coupla 15's. But I have said my piece...

 

Dude - really?

I've used several of those through the years - I had a Peavey 1820 (118/210), a Peavey 1516 (115/28), a Mesa Boogie 1516 (115/110/16), and a Mesa Boogie Powerhouse (115/410). All of these were pretty popular cabinets. Some of them still are very popular even now. A good sounding cabinet is a good sounding cabinet in my book. As I said earlier, YMMV.

 

I'd definitely want to check out some Weber Ceramic Bass 12"s if I were you. Check them out:

http://taweber.powweb.com/weber/bass12f.html

No idea how this would sound in your cab, but I'm currently trying out an Eminence Beta 12A-2 in a 1x12" configuration. It's decent enough that I haven't sprung for a Weber yet. And it's loud, perhaps louder than the Weber (they don't publish their specs).

 

I believe OP said that the cab currently has some vibration issues, I think new speakers with more efficient drivers may make this issue worse, IMHO

 

Respectfully, there are many well documented arguements against mixing different sized spkrs, powered by the same amp. But as you say, whatever sounds good to the user.

 

Ah, over looked that bit.

In that case, change my recommendation to "new cab". Keep the old one for recording at non-band volumes, and the new one for rehearsal and performance.

 

Yup, that thing is bulky, I was not thinking of moving it often. When I had one it just lived in the practice space and was more of a utility piece than anything else. A spare guitar amp (with a '69 bassman) or a change of pace for bass. And like I said, I was using it at low volumes so the efficiency was not really relevant. I also got the pair dirt cheap, $300 or 350 I think, so the bang for the buck aspect probably factored in as well.

Maybe I didn't read the OP closely, I don't know if I'd want a bassman 100 as my only cab if I was gigging, but I certainly would have no hesitation about gigging with the bassman head and cab I used to one. YMMV

 

im a huge fan of the bassman 100 (i own the head and 4x12). its been the only consistent element of my rig since i was 16. ive played bass through it, played rock guitar through it, and now i adore it for the super clean jazz tones. the 4x12 is a monster to haul around... but sometimes its worth it for the extra headroom (the more portable cabs break up at lower volumes).

i switched those crappy utahs out for celestion greenbacks, and i love the way it sounds. its a very musical, woody tone on bass. and with guitar... i dont think they make a better 12" speaker. my cab has also come to settle in the practice space as a utilitarian cab... but i doubt ill ever sell it.

as for the rattle, i had that same problem. grab some fiberglass strips and seal off those joints... slap some black paint on it... and problem fixed. hope this helps

 

I just did a couple of decent length tours playing bass, and it's in the indie / garage revival scene. Club sizes are about 500 cap.

So I have actually been using the sorts of rigs that you are talking about on the road, with the bass tone you are looking for...

Here's the rigs I have been using (all pretty much 85 - 100 watt 6L6 heads) all Fender schematic clones or real.

Earth Sound PA Head (basically a Fender 100 watt PA)
Plush G2000 Head (Basically a 85 watt Showman)
Just got: Silverface Fender Twin Reverb (chopped into head form and tuned for headroom)

The cabs (All Cabs 4ohm and properly rated for the heads... remember you have to use a 4ohm cab):

1970's SUNN 4x12 Transducer Cab. <---this one was the best, but one of the speakers went... this cab sounded huge and warm and was properly rated. Just a speaker failure. Getting it reconed.

1980's SVT 8x10 <--- thicker than the SUNN but not as round sounding. It was a PITA to get around.

1990's SVTHLF4x10 <---- one of the USA made SVTs basically a "baby 8x10" with a low range boost. Different speakers, and a bottom bass bin port. This is a great cab. Not as nice sounding as the SUNN but it was sincerely abused.

1990's JCM900 stereo cab (run mono at 4ohm) <---- this 300w cab sounds great. But doesn't have the low end whomp of the SVTs.

I have used the 2x15 CTS speaker cabs that you see with Showmans and Bassmans (the ones made by Fender and also the heavier duty ones made by Plush and Kustom). I honestly don't think they sound right if the band is loud at all. They do sound great. They just don't sound right. For example: a band from NYC I toured with, their bassist and I both had the same rig (80-100 watt 6l6 tube amp Fender derived) and the only difference was the speakers... I had the 410HLF SVT and he had the 2x15 rig. He sounded maxed out all the time, I still had headroom. Same heads. Similar basses. (P bass or Jazz bass)

I feel, bang for the buck wise, I would take the SVTs (either of them) back out on the road again. They are bullettproof, and have the right sound on the stage, and add the headroom that I need by being higher wattage. That's my 2c.

And right now I see SVT 4ohm cabs here in Florida for $250 and up. No joke. Best of luck on your tone quest!