Very different sounding amps ime. My twin sister has the best master volume I've ever used, unless you can always turn up your amps to gig volume (and then some as that keeps getting quieter and quieter) the Friedman would be no brainer recommendation.I would absolutely go for the Bassman and I owned a BE 100 (which is very close to the dirty Shirley)
All good. Was kinda kidding but also to make a point. I just feel that an old Bassman or old anything, while they sound amazing and while they are heralded as super reliable with proper maintenance, they can take a bit of vigilance. Personally, an old amp would be my 3rd or 4th amp in the house, with the first few being solid known workhorses. I know people use and exclusively gig old stuff, but IME most of these folks know their amps pretty well. Hence my initial comment.I have a vague understanding of what it means and does![]()
Yeah thats a good point, i wont be gigging or anything but i do want it to be easy to use. Like im happy to put some money into to make it serviceable, but you might be right on something modern and less prone to issues.All good. Was kinda kidding but also to make a point. I just feel that an old Bassman or old anything, while they sound amazing and while they are heralded as super reliable with proper maintenance, they can take a bit of vigilance. Personally, an old amp would be my 3rd or 4th amp in the house, with the first few being solid known workhorses. I know people use and exclusively gig old stuff, but IME most of these folks know their amps pretty well. Hence my initial comment.![]()
Yes it depends on the circuit really. The AB165 would be fine if you can turn it up properly.
So im looking at three: a 65 AA165, a 66 (and hes telling me its the AA165) , and one final one is a 66 and the guy says its an AB 165, but the tag says AA165 with the second A crossed out and b it written in pencil.Are we talking Bassman with the AB165 circuit?
Mate feel free to not comment then. Took a lot more effort to write about how you dont want to offer anything based on a lack of info on my part than just not writing anything. Lot of extra steps. Also ive replied and answered a bunch of those questions.Yet another thread where the OP provides no useful context re: playing out with a band, playing home, using pedals, attenuators, what? what?
Pass.
Yeah thats fair, i dont know how often i would go "super high gain" but its one of those like to haves than needs.If you prefer not to use pedals the bassman is a poor choice. Neither will do super high gain, so you'll still need a pedal for that though.
Thats a shame, what about the Bassman do you miss specifically?Bassman. Just got a Friedman wildwood smallbox. Great amp, but the bassman I used to have was killer. Miss it.
I researched the Bassman circuit for a bit. My understanding is the AB165 has earlier breakup and for sure is cheaper than it’s predecessor. If you‘ve got a solid tech I think a periodic visit would ensure the amp stays reliable for the needs you describe. I just wouldn’t think you’d need to take the Friedman to a tech for a good long while. What cooled me off on the AB165 for the time being is I played one (don’t remember the speakers) and it was uncomfortably loud when giving up the goods. Just not usable for my current needs. Very nice and raw sounding though. The Tone King Imperial seemed pretty close, though I think the lead channel is more of a tweed Bassman.Yeah thats a good point, i wont be gigging or anything but i do want it to me easy to use. Like im happy to put some money into to make it serviceable, but you might be right on something modern and less prone to issues.
Whats funny is i have the opportunity to buy an AA circuit for significantly cheaper than the AB. I dont have a tech per se but i know where i would go to get gear serviced and repaired. Yeah a new Friedman wont likely need much (touch wood). So i havnt played the Tone king, but i have played the 68 pro reverb. I would go the tone king head as i dont deal with combos anymore, just no one to play locally. The 68 pro was borderline sterile to me, ive heard plenty of good sounds online, but in person it didnt inspire much.I researched the Bassman circuit for a bit. My understanding is the AB165 has earlier breakup and for sure is cheaper than it’s predecessor. If you‘ve got a solid tech I think a periodic visit would ensure the amp stays reliable for the needs you describe. I just wouldn’t think you’d need to take the Friedman to a tech for a good long while. What cooled me off on the AB165 for the time being is I played one (don’t remember the speakers) and it was uncomfortably loud when giving up the goods. Just not usable for my current needs. Very nice and raw sounding though. The Tone King Imperial seemed pretty close, though I think the lead channel is more of a tweed Bassman.
Another amp you might consider and that could save you some dough without major sacrifice is the Fender ’68 Custom Pro Reverb.
So the bassman im looking at tis the AA165 and not the B, but everyone seems to think the B is dirtier.
Also nice playing, sounds crunchy and nice!
So im looking at three: a 65 AA165, a 66 (and hes telling me its the AA165) , and one final one is a 66 and the guy says its an AB 165, but the tag says AA165 with the second A crossed out and b it written in pencil.
Amp 1 1965 AA165
Amp 2 1966 AA165
Amp 3 1966 AB165 (or is being claimed)
Thanks for letting me know about the two on Reverb! i will pass on those then, ive sent a message on FB so ill wait and see what he does/ says and then post any photos he has.The two on reverb have been completely rebuilt. Not worth it if you ask me. The one on facebook is probably a better option, though I'd ask for circuit pictures. Post them here if you can.
So this is what he sent meThanks for letting me know about the two on Reverb! i will pass on those then, ive sent a message on FB so ill wait and see what he does/ says and then post any photos he has.
Yeah if i can avoid using pedals for dirt and OD i will. So thats why im deciding between the Friedman, Because i really like the cleans. Soldano has great cleans to but cant get any here.You mentioned in your 2nd post you prefer not to use pedals, so I reacted to that. Don't get a Bassman for rock if this is your preference, otherwise just get any amp with a clean tone you love.
A Bassman with pedals is a very different beast to a modern amp with plenty of a gain and a master volume.
So im looking at three: a 65 AA165, a 66 (and hes telling me its the AA165) , and one final one is a 66 and the guy says its an AB 165, but the tag says AA165 with the second A crossed out and b it written in pencil.
Amp 1 1965 AA165
Amp 2 1966 AA165
Amp 3 1966 AB165 (or is being claimed)
I researched the Bassman circuit for a bit. My understanding is the AB165 has earlier breakup and for sure is cheaper than it’s predecessor. If you‘ve got a solid tech I think a periodic visit would ensure the amp stays reliable for the needs you describe. I just wouldn’t think you’d need to take the Friedman to a tech for a good long while. What cooled me off on the AB165 for the time being is I played one (don’t remember the speakers) and it was uncomfortably loud when giving up the goods. Just not usable for my current needs. Very nice and raw sounding though. The Tone King Imperial seemed pretty close, though I think the lead channel is more of a tweed Bassman.
Another amp you might consider and that could save you some dough without major sacrifice is the Fender ’68 Custom Pro Reverb.
Yeah if i can avoid using pedals for dirt and OD i will. So thats why im deciding between the Friedman, Because i really like the cleans. Soldano has great cleans to but cant get any here.
Maybe I miss where you said it but are you planing on trading or buying? Whats the price. There was pretty clean AA864 in the emporium for $1400 a week ago that might still be floating around. The thing you have to be ready for with vintage Bassmans is that they will almost always need a thing or two and you might need to put couple hundred bucks into them to sort them out. IME you will be rewarded 10x for your investment.So this is what he sent me
I would love to get the Twin but there have been 0 available and there wont be for 6 months. No one online wants to ship here. There is a dirty shirly available hence the option.Have you considered the Friedman Twin Sister?
Two full-EQ DS channels with different gain modes and that awesome Friedman FX loop.