I love the sound of the fender rhodes. When you play one at the crack of overdriven, the rhodes can at once be both clear as a bell and warmly fuzzy. I think this is because the initial impact of the hammer causes a strong, clear fundamental, but the vibration and resonance of the tine during the duration of the note cause fuzzier harmonics that sound gorgeous. It's like if you had the most touch sensitive fuzz ever that also had amazing note clarity. How can I get this from my guitar? I'm playing a 335 style guitar into a fender deluxe reverb RI. Has anyone ever tried to emulate this in a pedal? I swear there is nothing like it. It just brings me to tears.