Demioblue
Member
- Messages
- 1,613
I just put this together, to show that one pickup can deliver so many kinds of drive tones, with the right pedals. You don't need a high-output pedal to do metal. Just a good metal pedal.
SoundClick artist: Demioblue - page with MP3 music downloads
What you are hearing are Seymour Duncan Seth Lovers running through an Ibanez TS808HW, a Hardwire Tube Overdrive, Valve Distortion, Metal Distortion and the Chorus.
On all pedals, the gain was only at half. The chorus settings were done to emulate a "Leslie".
Guitar -> TS808HW -> HWCM2 -> HWSC2 - > HWTL2 -> HWCR7 -> PODXTLive -> PC
TS808HW
OD: ZERO
Tone: 3' o clock
Level: 12 oclock
CM2
Level: 9 oclock
Low: 1 oclock
High: 3 oclock (plus some)
Drive: 12 oclock
SC2
Level: 9 oclock
Low: 3 oclock (plus some)
High: 3 oclock
Drive: 12 oclock
TL2
Level: 9 oclock
Low: 2 oclock
High: 4 oclock
Mid: 2 oclock
Mid Freq: a little less than 12 oclock
Drive: 12 oclock
CR7
Mode = Boutique
Level = 11 O'clock
Speed = 3 (plus a little) O'clock
Depth = 3 Oclock
The bright picking tones were the courtesy of a 4.10mm V Pick.

SoundClick artist: Demioblue - page with MP3 music downloads
What you are hearing are Seymour Duncan Seth Lovers running through an Ibanez TS808HW, a Hardwire Tube Overdrive, Valve Distortion, Metal Distortion and the Chorus.
On all pedals, the gain was only at half. The chorus settings were done to emulate a "Leslie".
Guitar -> TS808HW -> HWCM2 -> HWSC2 - > HWTL2 -> HWCR7 -> PODXTLive -> PC
TS808HW
OD: ZERO
Tone: 3' o clock
Level: 12 oclock
CM2
Level: 9 oclock
Low: 1 oclock
High: 3 oclock (plus some)
Drive: 12 oclock
SC2
Level: 9 oclock
Low: 3 oclock (plus some)
High: 3 oclock
Drive: 12 oclock
TL2
Level: 9 oclock
Low: 2 oclock
High: 4 oclock
Mid: 2 oclock
Mid Freq: a little less than 12 oclock
Drive: 12 oclock
CR7
Mode = Boutique
Level = 11 O'clock
Speed = 3 (plus a little) O'clock
Depth = 3 Oclock
The bright picking tones were the courtesy of a 4.10mm V Pick.
