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OK, you guys win: I'm going to try a Germanium Fuzz.
I've got two questions:
First, what pedal would you all recommend? I don't like those really splattery, spitty fuzzes, or the over-the-top, no-dynamics Smashing Pumpkins-style fuzzes either. I'd like something a little more musical and versatile, instead of a one-trick pony, and I will cop to being pretty traditional in terms of the tones I like. I'm not Nels Cline or Thurston Moore.
I really like what Audrey Freed gets out of his Beano Boost, but I imagine that might have a little bit to do with his fingers, just maybe! I heard a demo of a Wren and Cuff Caprid that sounded good, but I like the simplicity and amp-like quality of the Beano Boost. I love Gilmour's tones--who doesn't--but I do have a Skreddy fuzz which is awesome for playing the solo from "Time," but isn't very versatile, and doesn't really clean up at all. And part of what has me thinking about a germanium fuzz is how all you guys say how well they clean up on a guitar's volume knob. The ability to get a little bit of grit and compression on a mostly clean tone just by turning my guitar down would be super useful. I like those Fuzz Face reissues, but the fact that their huge and round is kind of a drag, as far as pedal board space allocation goes.
Second, I want to make sure I've got no buffers between my guitar and the fuzz, right? Or is that not true anymore.
Thanks!
I've got two questions:
First, what pedal would you all recommend? I don't like those really splattery, spitty fuzzes, or the over-the-top, no-dynamics Smashing Pumpkins-style fuzzes either. I'd like something a little more musical and versatile, instead of a one-trick pony, and I will cop to being pretty traditional in terms of the tones I like. I'm not Nels Cline or Thurston Moore.
I really like what Audrey Freed gets out of his Beano Boost, but I imagine that might have a little bit to do with his fingers, just maybe! I heard a demo of a Wren and Cuff Caprid that sounded good, but I like the simplicity and amp-like quality of the Beano Boost. I love Gilmour's tones--who doesn't--but I do have a Skreddy fuzz which is awesome for playing the solo from "Time," but isn't very versatile, and doesn't really clean up at all. And part of what has me thinking about a germanium fuzz is how all you guys say how well they clean up on a guitar's volume knob. The ability to get a little bit of grit and compression on a mostly clean tone just by turning my guitar down would be super useful. I like those Fuzz Face reissues, but the fact that their huge and round is kind of a drag, as far as pedal board space allocation goes.
Second, I want to make sure I've got no buffers between my guitar and the fuzz, right? Or is that not true anymore.
Thanks!