He stated " the upcoming math-y delay " earlier in this thread somewhere. I vividly remember reading it and getting a little sweaty.So when DI says Math Reverbs are coming, that means reverbs that require lots of DSP calculations, like a drippy spring reverb, etc.?
Perhaps....methy reverbs??He stated " the upcoming math-y delay " earlier in this thread somewhere. I vividly remember reading it and getting a little sweaty.
He then went on to say regarding the Dev team "another effect that may or may not showcase their expertise when they used to help other Harman brands." Regarding Reverbs... Lexicon is another Harman brand if you want to read into that.
But alas no Math-y Reverbs.
You're absolutely right, they do. And that mixer is from the 90s.e Yamaha 02R. (I
Messy Reverbs? Already have that when I use Particle Reverb and dial Decay and Mix through the roof.Perhaps....methy reverbs??
That's nice, but the discussion was about the Axe II getting them before Helix did and not who had them 1st, however, I did ask about when the M series got them out of curiosity. Now I'll stop talking about scenes (instead of Snapshots) in a Helix thread lol...Hope 3.1 drops in March!Scenes were a feature in Line 6 M9 and M13 long before the Fractal Axe II release.
Hmmm. In most presets I have the 63 spring before amp as the amps come from a fractal being fed by helix. I was making a patch using just helix and could not get the verb to sound right. Moved it between amp and cab and viola!It works best between Amp and Cab blocks.Yamaha is publicly traded, so revenue recognition applies.
That and one or two copycats have been getting pretty brazen lately (including lifting full paragraphs from our Owner's Manual). If the world insists on creating another Uli B€#$%@&®, that doesn't mean we need to help the situation.
Has it tho? Seems full of the regular banter and speculation. 3.1 is in Beta, the ones with the most insight aren't allowed to say anything about it. It's the night before Christmas for the rest of us.This thread has been eerily quiet recently
Does an email get sent out if you are in or do you have to regularly log into the Line6 site to check?Hello everyone. In case you missed any of our previous announcements, you can now apply for the beta testing program at https://line6.com/account/betateams/ . Just create a beta profile and you will be entered into a pool of potential testers.
You may not get admitted right away as the team is limited and there are far more applicants than available slots. That does not mean you could not potentially get chosen in the future as the beta teams are refreshed for each release.
Thank you for your continued support, feedback and assistance!
I signed up for the first beta-testing thing last year but didn't pass the audition.Hello everyone. In case you missed any of our previous announcements, you can now apply for the beta testing program at https://line6.com/account/betateams/ . Just create a beta profile and you will be entered into a pool of potential testers.
You may not get admitted right away as the team is limited and there are far more applicants than available slots. That does not mean you could not potentially get chosen in the future as the beta teams are refreshed for each release.
Thank you for your continued support, feedback and assistance!
100% Asking Line 6 to come up with the Helix / HX products in isolation is like asking Henry Ford to come up with the GT-40 starting from scratch in the 1900s.
Evolution of design requires generations of engineers and ideas built upon ideas.
We changed the name because snapshots' functionality was closer to what's found in large-format digital consoles. (They're called "snapshots" because engineers used to literally take polaroid photos of analog consoles so mixes could be recalled later.) That and we didn't want to confuse M13 users.M series, Yea just wondered, been a whileWere they called "snap-shots" back then too?
Only tangentially related, but it always made me laugh when I would see post it notes with cue settings - like actual fader settings - all over programmable lighting boards... I was like, “uh, you know the board does this for you, guys...”(They're called "snapshots" because engineers used to literally take polaroid photos of analog consoles so mixes could be recalled later.)
This is kinda funny. I have post it notes like this in the studio when I am A/Bing something that doesn't actually have an A/B feature. But other than that I feel ya on this.Only tangentially related, but it always made me laugh when I would see post it notes with cue settings - like actual fader settings - all over programmable lighting boards... I was like, “uh, you know the board does this for you, guys...”
I've always loved the idea of modular synths but can't get into them for this exact reason. I *must* be able to perfectly recall a project, even years later. Not sure if it's a quirk from my production days (where clients might call up years later for a remix or stems) or what.Recall is a feature I will never go without.
Well, seems we share similar quirks although I have only really used the digital realm for most of my studio experience. That said any situation where there isn't recall, it is a glaring reason why I will stay digital.I've always loved the idea of modular synths but can't get into them for this exact reason. I *must* be able to perfectly recall a project, even years later. Not sure if it's a quirk from my production days (where clients might call up years later for a remix or stems) or what.