And if you change the root note to F# without changing the rest of that chart you get the F# minor scale.You can move the pattern to any fret and be playing in the key of the root 3rd fret G 7th fret B View attachment 434631
You can move the pattern to any fret and be playing in the key of the root 3rd fret G 7th fret B View attachment 434631
same here. in a fraction of the time too.Ahhh those neck charts confuse the heck out of me.
If I get stumped working a mode out in some oddball key my ears fix it for me
Juice by Lizzo is in Dm (somewhat)...do you find this sad?What fret do you move it to to play in Dm, which is the saddest key?
Juice by Lizzo is in Dm (somewhat)...do you find this sad?
or is that a question?
Sadness/ mood comes from melody and performance...key sigs are just a way to explain what notes to play for others...I'm sure some very sad moods can be achieved using A-B-C#-D-E-F#-G#
And the notes remain the same so why do we even learn all those modes?