High energy trio rock bands

Discussion in 'The Sound Hound Lounge' started by mikeratan00, Sep 11, 2019.

  1. mikeratan00

    mikeratan00 Member

    Messages:
    4,242
    Joined:
    Jul 22, 2008
    Location:
    Mai Pen Rai
  2. TB72

    TB72 Member

    Messages:
    1,429
    Joined:
    Dec 18, 2006
    Location:
    Canada
    Hard to mention high-energy without a nod to Phil X.

     
  3. MrGuitarhack

    MrGuitarhack Member

    Messages:
    1,886
    Joined:
    Jan 23, 2012
    Location:
    West Coast
  4. TheGuildedAge

    TheGuildedAge Supporting Member

    Messages:
    12,738
    Joined:
    Sep 11, 2005
  5. AltecGreen

    AltecGreen Silver Supporting Member

    Messages:
    504
    Joined:
    Sep 29, 2015
    The one that I'm really into right now is Girls Rock Band Kakumei. The drummer is fantastic.



    Another great band is Ningen Isu



    Asterism is more metal than rock but the skill level of these teenagers is phenomenal. The guitarist is 16.
     
    wombat66 likes this.
  6. Tim Bowen

    Tim Bowen Member

    Messages:
    3,176
    Joined:
    Aug 9, 2004
    Location:
    Atlanta, Georgia
    I'm not a proper boomer. I don't like most rock or blues-rock power trios, and I'm not overly fond of the guitar-bass-drum template in general within rock parameters. I never bought a Cream record. I liked Cream okay when they did three minute tunes. Badge @ 2:45 is just about right.

    I'm not sure why I dug GFR. Obviously the press panned them. Creem, Hit Parader, Rolling Stone, they all hated Grand Funk Railroad. Lester Bangs hated them until he didn't.

    Grand Funk Railroad
    Capitol 764
    Released: April 1971
    Chart Peak: #6
    Weeks Charted: 40
    Certified Gold: 4/30/71

    It seems that we are all going to have to come to terms with Grand Funk. They may well be the most popular band in the world, in spite of the fact that they've been almost universally panned by the rock press and other supposed molders of taste. And the group is apparently so sensitive about that that they now refuse to see writers.

    It would be too easy to say that Grand Funk's stupefying ascendence is the direct result of their unacceptability to the elite (or elitists), but it's clear that the band does have a very special relationship. People once said that the Rolling Stones were great not only for their music, but because they were representative of the initial audience of working-class mods they came from and spoke to and for. Or, as a friend put it at one of their first American concerts, "The Beatles are so Olympian, but you could really imagine sitting down and blowing pot with the Stones." That was never really strictly true for them, of course, though it could have been for forebears the likes of Eddie Cochran and Richie Valens, who never forgot his Pachuko roots.

    Grand Funk are one of the very few groups rising recently that do reflect the aspirations and attitudes of their audience in the most basic way. And they've achieved that vast consensus not only through hype but because they are that audience, are the rallying point for any sense of mass identity and community in Teenage America circa 1971 (and Black Sabbath that community's freaked out flip side).

    In spite of all that (and if there is one thing that would make you yearn to like Grand Funk it is that), the fact remains that their first four albums were almost uniformly awful. It was not just that they were simplistic and unmelodic -- the sound was plain muddy, and with a few notable exceptions like "I'm Your Captain" it was a real challenge to remember most of the songs even after the third or fourth hearing.

    Survival is something else again. All of the songs, visceral urgency aside, are interesting as compositions and performances. The playing and singing is remarkably free of past sloppiness, and even if the pace drags a bit at times, the singing at least has definition and resonance, and the guitar work is a real surprise: clean and clear and even subtle at times.

    Another interesting thing about it is that it is the first Grand Funk album to be structured around a sort of theme. Just look at the song titles: "Comfort Me," "I Want Freedom," and even "Gimme Shelter."

    That theme in all of its several variations has a great deal to do both with Grand Funk's rejection by the pop culture "establishment" and their sense of unity with their audience. If Black Sabbath's music is about disjuncture and disorientation, Grand Funk's is a direct expression of warmth, reaching for the vast befuddled teen audience and saying: "Look, our confusions and yearnings are the same, and we need you as much as you need us." They do it by invoking the specter of the draft in "Country Road," by direct appeal in the beautiful "Comfort Me" ("I was lost in a world of madness/Please take me from all of this sadness/ Comfort me/ In whatever I do/Comfort me/And I'll comfort you too...") And in "All You've Got Is Money," Grand Funk, millionaires all, even manage to invoke their audience's sympathy over the attenuated personal relationships that come with vast fortunes. This is one band whose success sparks not the slightest trace of envious resentment in their fans.

    Like them or not, and with this album I do very much, it's been a long time since anybody has won that kind of devotion.


    - Lester Bangs, Rolling Stone, 6/10/71
     
    reverendfrankie, Mark Ray and yfeefy like this.
  7. weevilcaster

    weevilcaster Member

    Messages:
    544
    Joined:
    Aug 19, 2010
    Location:
    Seattle, WA
  8. 3waytie4last

    3waytie4last Unfluencer Gold Supporting Member

    Messages:
    2,818
    Joined:
    Feb 3, 2018
    Location:
    Chicago
  9. weevilcaster

    weevilcaster Member

    Messages:
    544
    Joined:
    Aug 19, 2010
    Location:
    Seattle, WA
  10. 3waytie4last

    3waytie4last Unfluencer Gold Supporting Member

    Messages:
    2,818
    Joined:
    Feb 3, 2018
    Location:
    Chicago
  11. 3waytie4last

    3waytie4last Unfluencer Gold Supporting Member

    Messages:
    2,818
    Joined:
    Feb 3, 2018
    Location:
    Chicago
  12. OM Flyer

    OM Flyer Member

    Messages:
    3,881
    Joined:
    Jan 16, 2008
    Location:
    An island of blue in a sea of red
    That Lil' Ol' Band from Texas.
     
  13. Binaural

    Binaural Supporting Member

    Messages:
    1,694
    Joined:
    Sep 27, 2008
    Location:
    Sin City
  14. ned7flat5

    ned7flat5 Member

    Messages:
    3,640
    Joined:
    Sep 21, 2014
    Location:
    Melbourne Australia
  15. Tim Bowen

    Tim Bowen Member

    Messages:
    3,176
    Joined:
    Aug 9, 2004
    Location:
    Atlanta, Georgia
    Hüsker Dü

    I am such a weirdo. I prefer Bob Mould solo records.
     
    8len8 and weevilcaster like this.
  16. guff

    guff Member

    Messages:
    616
    Joined:
    Dec 26, 2016
    Location:
    cellar dweller
    Unwound
    Nirvana
    Green Day
    Sublime
     
    Mike Lenning and JoeYello like this.
  17. JoeYello

    JoeYello Member

    Messages:
    1,145
    Joined:
    Jan 23, 2004
    Location:
    New Jersey
  18. ak301

    ak301 Member

    Messages:
    1,224
    Joined:
    Jan 9, 2009
    Location:
    England, GB
  19. magdream

    magdream Member

    Messages:
    1,039
    Joined:
    Feb 27, 2009
    Location:
    Oceanside, NY
    Just push play and go about your day. You're welcome.
     
  20. Jason UP

    Jason UP Supporting Member

    Messages:
    1,117
    Joined:
    Feb 6, 2008
    Location:
    HR, VA
    with this board, I was assuming King's X would be the FIRST response haha

     

Share This Page

  1. This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
    By continuing to use this site, you are consenting to our use of cookies.
    Dismiss Notice